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Writing

Why Rewriting a Novel Is a Bad Idea

September 29, 2018

creativity, editing, fiction, literature, rewriting, writing

Inspiration for this post came after I read about someone almost bragging about having just finished the 26th rewrite of their novel. Editing your book is an essential key to success. Tweaking things here and there or changing your mind and rewriting, say, the ending, can be useful. But there is no benefit in rewriting a novel. I am rarely so absolute in my declarations when it comes to literature, but I’m doing it now.

Rewriting a novel is about as useful as trying to please your audience, and twice as pointless. If a novel needs rewriting as opposed to editing then you are much better off scrapping the whole thing and writing a new story. Let’s see why.

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Being a Published Author Is not what You Think

July 25, 2018

Writing

art, author, book, creativity, literature, publishing, writing

Traditionally, most aspiring authors have thought of getting published as the end goal. Being a published author has been a proof of merit. To be a writer who’s published means “you’ve made it”, right? Heck, if you visit my author pages on Goodreads or Amazon, you’ll see me referring myself to having been published.

Well, we could talk for hours debating whether having “made it” has ever been the case (the word “traditionally”, which opened this article is the operative word here), but let’s instead focus on the present moment. The grand question is this:

Does being a published author mean your writing woes are over?

Not only is the answer “not by a mile”, but in many cases I’d argue against “being a published author”. In other words, I’d argue that getting a publishing contract with a publishing house won’t necessarily be what you’d like.

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The Future of Poetry (and why It Is Bleak)

May 13, 2018

Writing

literature, mediocrity, poetry, writing

Matthew Arnold has made a famous, as-of-yet-unfulfilled prediction regarding the future of poetry.

The future of poetry is immense, because in poetry, where it is worthy of its high destinies, our race, as time goes on, will find an ever surer and surer stay … Our religion has materialised itself in the fact, in the supposed fact; it has attached its emotion to the fact, and now the fact is failing it. But for poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact.

What Matthew Arnold failed to take into consideration was the paralyzing mediocrity that has overwhelmed this world. Not only has poetry not eclipsed religion (perhaps the term ‘dogma’ is easier to grasp in this context), but it has indeed become virtually extinct itself. The future of poetry looks grim, because the future of humanity looks grim itself.

the future of poetry — The future of poetry is bleak in a world of mediocrity

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