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Ophelia’s Secret: Agency and Conceptual Cohesion in Art

August 7, 2023

art, experiencing, literature, music, Shakespeare, writing

The title seems very opaque and ambiguous, I’m sure (welcome to my world). “Ophelia’s secret? What secret? Ophelia who?” I hear you ask. “And what on earth do you mean by ‘agency and conceptual cohesion’?”

First things first: With apologies to non-fictional Ophelias (and any secret they might have) out there, there is only one Ophelia: Shakespeare’s Ophelia.

Ophelia is a character in William Shakespeare’s drama Hamlet (1599-1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet, who, due to Hamlet’s actions, ends up in a state of madness that ultimately leads to her drowning.
Wikipedia

So, what is Ophelia’s secret, and what does it have to do with agency and cohesion in art? To explore thisLike hell! Rather, I first began composing the album and then, along the way, I discovered the lessons., I composed a music album titled Ophelia’s Secret.

Ophelia's Secret album art — Album cover of *Ophelia’s Secret*, designed with the help of Bing Image Creator

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How to Name a Character in Fiction

July 31, 2023

Fiction Writing Tips, Writing

characters, creativity, fiction, literature, writing

What’s in a name, huh? Choosing how to name a character shouldn’t be too big a problem, right?

Well, not so fast.

Just as coming up with the perfect title for your novel is harder work than might initially appear, choosing a name for a character in fiction or even a video game contains significant complexity. The reason?

Names are symbolically powerful. Moreover, because – for better or worse – names form an integral part of our identity, naming a character assigns a huge weight on their shoulders. Allow me to use a short excerpt from Illiterary Fiction to make the point:

With a sigh, [Paul] turns around and begins to walk in the direction of the bar – amused by the fact that he still doesn’t know the bartender’s name, and probably never will. Names can be misleading, he thinks, because each name carries with it an entire ideology. What if the man’s name were Giuseppe or, heck, Hassan? What if it were Sabrina, what would then Paul think?

And so, in this post, I’ll offer you a few tips on how to name a character in your work. The right name can work wonders in terms of conceptual integrity, as well as relatability. Overall, naming your characters is a crucial part of the overall affective impact of your narrative and, as such, an author shouldn’t ignore the potential.

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Review of Terminal Boredom by Izumi Suzuki

July 24, 2023

Book Review, Criticism

art, book, Japan, literature, review, science fiction, short story, society, symbolism

Terminal Boredom, by Izumi Suzuki, is a collection of science fiction short stories. It includes seven stories in total, and should be possible to finish in one afternoon, should the reader wish to do that. The stories are entirely independent plot-wise, and there is no specific affect-based benefit in reading them all at once.

In other words, the reader doesn’t need to enter any specific reading mood to get the best out of these short stories, which means, whether you read all seven in quick succession or take your time, the result will be basically the same.

You might already be tempted to decipher what I may imply by all this, so let me make it explicit: The stories in Terminal Boredom are an interesting example of a narrative that basically somewhat relies on plot, while at the same time it somewhat presents some intriguing symbolism.

I think the best description I can offer for Terminal Boredom is that it includes plenty of allusions and meanings, but the reader must work hard for them.

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