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How NOT to Write Genre Fiction: The Dangers of Pleasing Your Audience

November 16, 2020

There are many guides out there that promise to teach you how to write genre fiction. And yet few of them will tell you the most important thing: Writing genre fiction is an inherently people-pleasing act, which is an always dangerous business.

In a sense, genre fiction is the opposite of literary fiction. Whereas literary fiction deals with abstractness and generality, genre fiction deals with concreteness and specificity. To put it another way, if literary fiction is about “everyone, always”, genre fiction is about “that one, right there and then”Of course, this is a somewhat simplistic way of putting it. Quality literature (including genre fiction) can always extrapolate from the specific to the generic, even if it does so operating on a subconscious level. Take a look at my review of The Lighthouse..

If this sounds a bit too theoretical, worry not; I’ll unpack it in more detail in this post. My purpose is not to offer you tips on how to write genre fiction, but tips on how not to write genre fiction – though obviously enough, the two processes overlap.

In other words, I’ll highlight the pitfalls of writing genre fiction, together with my opinion on how to avoid them (there’s a twist in the plot here).

write genre fiction
If you’re writing genre fiction (say, fantasy with witches), there are things you can do, and there are things you can’t do. This is always a problem in anything that would like to call itself artistic creation
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Are You a Writer or an Artist?

September 13, 2020

Most fiction writers would like to think of themselves as artists. To be an author is to be an artist, right? Well, no; not necessarily. The question “are you a writer or an artist” might corner some of you. Perhaps you resist it.

“Surely”, you might say, “one can be both a writer and an artist”. Again, the answer is no, not necessarily. And mind you, I don’t mean that you might be writing nonfiction.

There are untold numbers of fiction writers out there who think they’re artists. Remember that short-lived meme that began with a statement – let’s take “I’m a writer” as our example – then continued with a series of photos, captioned like “What my mom thinks I do”, “What my friends think I do”?

writer or artist
Art, expression, narrative, affect… These are very different concepts

It then ended with “What I really do”. And here’s where the problem lies. What you really do is often in conflict with what you think you do.

If you feel brave enough to discover something about you as a writer (or an artist) – self-delusion is a viable strategy for some people – by all means, read on.

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Experimental Fiction: Examples and Dynamics

March 29, 2020

Experimental fiction examples aren’t easy to find. The thing is, experimental fiction is the kind of writing that rarely produces a commercial hit – though it does so every now and then.

Imagine literary fiction on LSD, and you have something like experimental fiction. But no, not all experimental fiction is literary – and certainly most of literary fiction isn’t experimental.

A definition of experimental fiction isn’t easy, either. In some sense, experimental fiction is the kind of fiction that displays significant deviation from literary norms – mostly in structural, formatting, or methodological aspects. We’ll see more about all these in a moment, through the examples I’ve picked.

At the same time, we must also recognize an interesting paradox: Whether a novel is experimental or not must be seen in connection with its context. In other words, what is groundbreaking, radical, and unorthodox today, might be the norm tomorrow.

For some, experimental fiction is “weird”. For others, it’s “awesome”. As for me, it’s an interesting opportunity to learn a thing or two about how fiction, writing, and even literary criticism operate.

Experimental Fiction, image of book
Experimental fiction examples aren’t easy to find, because this kind of writing produces a commercial hit rather rarely
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