technology Archives - Home For Fiction

technology

The Danger of Partial Knowledge: My ChatGPT Encounter

March 13, 2023

ignorance, knowledge, programming, society, technology

The old piece of wisdom might be right: It’s better to know nothing about something, rather than know a little. Of course, referring to partial knowledge is a sort of misnomer. Philosophically speaking, virtually all knowledge is partial – cogito ergo sum and all that. But socially speaking, the gradations are more intriguing.

The reason? Because of our old friend, the Dunning-Kruger effect. When it comes to partial knowledge – knowing a little of something – there is a peculiar paradox at play: When we know a little, we think we know a lot; when we know more (the threshold is subjective), we know that we only know a little.

As I said above, though there are philosophical dimensions in this topic, the focus of this post will be on society. I have always been interested in ignorance and the illusion of knowledge (as long-term readers of the blog have realized), but recently I had an experience that intrigued me with its repercussions: I tried asking the famous ChatGPT AI model questions on a topic I know ~~very well~~ enough to know I don’t know anything: the Gothic. The responses I got were very intriguing for our context of partial knowledge.

Partial Knowledge - woman reading — The only way out of the darkness of ignorance is through personal, active effort, paired with humility: “I only know that I know nothing”

(more…)

The Smartphone Model Is Rotten: You Don’t Own Your Device

January 9, 2023

Society

capitalism, mediocrity, programming, society, technology

4 comments

Let’s be clear, I’m not breaking any new ground here. The topic described by the heading has been talked about and analyzed a lot. And for good reason: The smartphone model – that is, the way smartphones are designed and sold – is rotten to the core. The subtitle might give you a hint why: You don’t really own the device you paid for and purchased.

What you own is the temporary, easily withdrawn right to operate the device for a short, undefined period of time.

Perhaps you’ve either realized this yourself or you’ve read about it elsewhere. As I said, I’m not breaking any new ground. Nonetheless, in this post I will share the… Kafkaesque experience I recently had with “my” smartphone – the model of which isn’t important; they’re all the same disaster.

At the same time, I will bring to your attention some menacing repercussions you might not have thought of, some news you might have not heard. Put simply, the… smartphone model of doing business is spilling over into other industries with potentially dystopian consequences.

How would you like not to own your car? Or, here’s a better one: How would you like the right to operate “your” car to be revoked if, say, you left a nasty review about the manufacturer?

smartphone model — There are many things to dislike about smartphones. One of them, they’ve facilitated a whole generation of people who take videos at concerts, missing the experience

(more…)

When Modernity Fails: How Dracula Foretold the Great War

March 8, 2021

Criticism, Society

academia, capitalism, criticism, Dracula, Gothic, modernity, society, technology

2 comments

Before I say another word, here’s a disclaimer. Yes, the subtitle is somewhat misleading, albeit catchy. Bram Stoker’s Dracula didn’t quite foretell the Great War, that is WW1, in the sense it didn’t intend to. What happens in Dracula – and the reason this post exists – is that Stoker, reflecting the cultural milieu of the late 19th century, subconsciously included in his magnum opus the reasons why modernity fails. These reasons partly overlap with the reasons behind the Great War.

Perhaps what is more important in all this is that the reasons don’t seem to be all that different today. More than a hundred years later, modernity fails us again. Crucially, modernity fails us for the same reasons. We’re dealing with somewhat altered dynamics, of course, yet the basic ingredients are the same.

We’ll begin by taking a brief look at the historical context of Dracula – the cultural milieu I referred to. Then we’ll see how Stoker’s novel explains why modernity fails, and how that relates to the Great War.

Like every self-respecting Gothic work, Dracula hides a complex nexus of meaning. Blood-sucking vampires only form the skin layer, but the heart – no pun intended – of the novel contains a multitude of allegories, many of which are not the result of conscious authorial work.

I imagine Mina Harker to look like that; calm and welcoming on the surface, but deep down ambiguous and fascinatingly unreliable. She’s also the embodiment of why modernity fails in *Dracula*.

(more…)