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How to Create Patterns in Literature

May 23, 2022

Can you imagine a narrative without patterns? A novel where each scene, chapter, or other division is more or less independent from the rest? Well, I wish I could say “me neither”, but I’m afraid I’ve seen such awful novels. Which is precisely why I know they should be avoided at all costs. To create patterns in literature is to create cohesion and symbolic depth, all while favoring non-linear narratives.

Briefly, patterns in literature are creative repetitions that produce meaning precisely as a result of their repetition. We’ll examine this in more detail, with examples, but the key takeaway is this: Patterns in literature are about adding affective impact to your narrative.

So let’s take an in-depth but accessible look at how to create patterns. I’ll first explain what patterns are and what effect they create, then I’ll offer you a practical guide.

patterns in literature
Patterns in literature become meaningful because we are used to seeing patterns everywhere in our life. Visually, aurally, and even in terms of experiences
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Planet Generator: A Tool for SciFi and Fantasy Authors

May 16, 2022

Astronomy is one of my hobbies, and I’m particularly intrigued by exoplanets – planets beyond our solar system. Combining this interest with my coding and writing experience, I thought to make this JavaScript Planet Generator program. Not only does it create graphical representations of such fascinating worlds, it also generates random civilizational data that might be helpful for science fiction and fantasy authors.

In other words, whether you’re a scifi/fantasy author looking for worldbuilding prompts, a programmer looking for inspiration and/or tips, or simply someone interested in the universe, there’s definitely something in Planet Generator that will interest you.

planet generator
Here’s how the results page of Planet Generator looks like
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Multiple Endings: a How-to Guide

April 18, 2022

Remember my post on narrative endings? I there argued that narrative endings and physical endings are not necessarily one and the same. In reality, there are more than one ways to end a novel. And having multiple endings is a great way to increase the affective impact of your narrative.

So, what do we I mean by “multiple endings”? Let’s start by what I don’t mean: A Clue-like style set of actual different endings (in the form of, say, different chapters). I’m not interested in that, and though I wouldn’t want to deter anyone from trying different things, I’m not entirely sure whether it’d work.

What I mean by multiple endings in a narrative is the presence of interpretatively more than one alternatives; open-endedness; allowing the possibility that things aren’t quite what they seem. Think of the ending of Inception, with the spinning top, and you’d have a simple, masterful example of how a single, mundane object can throw the entire narrative in disarray.

So let’s take a look at multiple endings: what’s their effect, how to gauge whether you need them, and how it all comes together.

Multiple Endings
A narrative ending needs to be neither definitive nor evident. The presence of multiple endings adds depth as well as relatability to a narrative
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