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Shape-shifting in Nimona: Metaphor and the Subconscious

February 12, 2024

creativity, criticism, fiction, imagination, LGBT, social masses, society, symbolism, writing

Nimona is an animated film based on the graphic novel by ND Stevenson. It features “a girl” (more of this in a while) who can shape-shift into any form, from whales to gorillas and from little boys to emulating other people. As I explore in this post, shape-shifting in Nimona is a metaphor that reveals something about the role of the subconscious in the creative process.

You see, there are some metadata you need to know – if you aren’t familiar with ND Stevenson already: The first one is that he identifies as transmasculine/bigender. The second, that Stevenson was apparently unaware about his gender identity before Nimona:

There are times in my life where I feel like everybody knew what my deal was before I did, and this is one of them. But it would be years before I started to see that in myself. I guess I planted the seeds without realizing.
Time

Is that really possible? Can an author create such strong symbolism – as shape-shifting is for gender identity – without consciously realizing it? We know that books often write themselves, but as we’ll see in this post, symbolism is even more powerful, its focus more sharp, when it comes to subconscious meanings.

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Review of Terminal Boredom by Izumi Suzuki

July 24, 2023

Book Review, Criticism

art, book, Japan, literature, review, science fiction, short story, society, symbolism

4 comments

Terminal Boredom, by Izumi Suzuki, is a collection of science fiction short stories. It includes seven stories in total, and should be possible to finish in one afternoon, should the reader wish to do that. The stories are entirely independent plot-wise, and there is no specific affect-based benefit in reading them all at once.

In other words, the reader doesn’t need to enter any specific reading mood to get the best out of these short stories, which means, whether you read all seven in quick succession or take your time, the result will be basically the same.

You might already be tempted to decipher what I may imply by all this, so let me make it explicit: The stories in Terminal Boredom are an interesting example of a narrative that basically somewhat relies on plot, while at the same time it somewhat presents some intriguing symbolism.

I think the best description I can offer for Terminal Boredom is that it includes plenty of allusions and meanings, but the reader must work hard for them.

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Review of Popular Hits of the Showa Era by Ryū Murakami

November 28, 2022

Book Review, Criticism

art, book, Japan, literature, review, society, symbolism

0 comments

I want to start this review of Popular Hits of the Showa Era, by Ryū Murakami, by saying that it surprised me with its audacity. The fact that I was surprised is… surprising itself, because I’ve read plenty of Ryū Murakami’s novels – parenthetically, no relation to Haruki Murakami – and they’re all as audacious.

And yet, there was something about Popular Hits of the Showa Era that made it profoundly daring and disturbing in abstract, symbolic ways. As you can perhaps tell by this comment, I really liked the book.

But I must warn you: It’s a book that is very difficult to like; the average reader will probably be disgusted by it. Reading Popular Hits of the Showa Era is an experience similar to reading American Psycho, by Bret Easton Ellis: a misunderstood masterpiece that hides a riot of meaning under the deceptive surface.

All this makes this review of Popular Hits of the Showa Era all the more important. There are lessons to learn about writing, reading, and art in general.

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