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Pornography or Erotica? On Art’s Function, Purpose, and Essence

March 18, 2024

art, criticism, experience, experiencing, love, philosophy, sexuality, society

The topic might sound unusual and, ironically enough, this too is part of the theme. Namely, we should be able to explore a topic as ubiquitous as human sexuality. The differentiation between pornography and erotica (erotic art, that is) is problematic. United States Supreme Court Justice Potter Stewart notoriously said he couldn’t define it but he knew it when he saw it.

That isn’t good enough.

I want to define it and I want to understand it. I’ve had some discussions on the topic with my friend Igor, and I decided to take my side of the emails we exchanged, edit it for length and focus, and turn it into a post.

But here’s an important caveat: My main interest isn’t in defining pornography (or erotica). Rather, I want to create a more general theoretical framework that talks about the differences between art’s function, purpose, and essence. So while there will be a fairly in-depth discussion on pornography, erotica, and their differences, my ultimate focus will divert to art in general.

pornography vs erotica. Image of young woman — Erotica doesn’t even need to display nudity to be erotic. Though, funnily enough, even nudity *itself* can be a matter of definition (i.e. historical/cultural contexts). Is the woman of the photo nude (a little? a lot?) or not? Ask a twenty-year old secular, liberal person in present-day Helsinki and a Victorian prude like Christina Rossetti, and you’ll get very different answers!

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Shape-shifting in Nimona: Metaphor and the Subconscious

February 12, 2024

Fiction, Writing

creativity, criticism, fiction, imagination, LGBT, social masses, society, symbolism, writing

3 comments

Nimona is an animated film based on the graphic novel by ND Stevenson. It features “a girl” (more of this in a while) who can shape-shift into any form, from whales to gorillas and from little boys to emulating other people. As I explore in this post, shape-shifting in Nimona is a metaphor that reveals something about the role of the subconscious in the creative process.

You see, there are some metadata you need to know – if you aren’t familiar with ND Stevenson already: The first one is that he identifies as transmasculine/bigender. The second, that Stevenson was apparently unaware about his gender identity before Nimona:

There are times in my life where I feel like everybody knew what my deal was before I did, and this is one of them. But it would be years before I started to see that in myself. I guess I planted the seeds without realizing.
Time

Is that really possible? Can an author create such strong symbolism – as shape-shifting is for gender identity – without consciously realizing it? We know that books often write themselves, but as we’ll see in this post, symbolism is even more powerful, its focus more sharp, when it comes to subconscious meanings.

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About a Paragraph Found in Madame Bovary

November 20, 2023

Criticism

criticism, guest post, Igor Livramento, literature

11 comments

Today’s post – “About a Paragraph Found in Madame Bovary” – is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. You can find him on LinkedIn and here is his own blog.

As per the translation for Penguin (2011, Vintage series):

Emma Bovary is an avid reader of sentimental novels; brought up on a Normandy farm and convent-educated, she longs for the passion of romance. At first, Emma pins her hopes on marriage, but life with her well-meaning husband in the provinces leaves her bored and dissatisfied. She seeks escape through extravagant spending sprees and, eventually, adultery. As Emma pursues her impossible reverie she seals her own ruin and despair. Exquisite, moving, at times ferociously satirical and always psychologically acute, Madame Bovary remains one of the greatest, most beguiling novels ever written.

Knowing this novel that has made history (given its many film adaptations), I will analyze a paragraph to demonstrate that its superficial simplicity and perfect grammar conceal a creative and magnificent use of language in its powers of characterization, description, abstraction, concreteness and perspective.

We will find a representation of the dissolution of subjectivity through the accumulation of restless anguish, paired with existential reflection in the small actions of everyday life. This will demonstrate the technical mastery with which Flaubert wrote and from which we can learn to produce literature of high emotional impact, even when the scene we describe to the reader seems as static as a Renaissance painting.

Madame Bovary, painting made with Bing Image Creator — This is only an image made with Bing Image Creator, but it’s a serendipitous “choice” to place the character in front of the open window, the room behind her

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