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Philosophy

Pornography or Erotica? On Art’s Function, Purpose, and Essence

March 18, 2024

The topic might sound unusual and, ironically enough, this too is part of the theme. Namely, we should be able to explore a topic as ubiquitous as human sexuality. The differentiation between pornography and erotica (erotic art, that is) is problematic. United States Supreme Court Justice Potter Stewart notoriously said he couldn’t define it but he knew it when he saw it.

That isn’t good enough.

I want to define it and I want to understand it. I’ve had some discussions on the topic with my friend Igor, and I decided to take my side of the emails we exchanged, edit it for length and focus, and turn it into a post.

But here’s an important caveat: My main interest isn’t in defining pornography (or erotica). Rather, I want to create a more general theoretical framework that talks about the differences between art’s function, purpose, and essence. So while there will be a fairly in-depth discussion on pornography, erotica, and their differences, my ultimate focus will divert to art in general.

pornography vs erotica. Image of young woman
Erotica doesn’t even need to display nudity to be erotic. Though, funnily enough, even nudity itself can be a matter of definition (i.e. historical/cultural contexts). Is the woman of the photo nude (a little? a lot?) or not? Ask a twenty-year old secular, liberal person in present-day Helsinki and a Victorian prude like Christina Rossetti, and you’ll get very different answers!
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Ethics or Morality: A Crucial Difference

October 2, 2023

Let’s get this out of the way: There is no “god-given” definition of either ethics or morality (there’s a meta- element of irony here, as you can hopefully perceive). Most people might even use them interchangeably to refer to the same thing. However, there is a crucial difference between the two.

In most definitions, morality refers to a person’s moral convictions, what they consider right or wrong. Ethics, on the other hand, usually refers to systems of convictions; agreed convictions, in a way. For example, we might refer to “journalistic ethics”, that is, a commonly agreed set of practices and behavior that journalists should adhere to.

The proverbial plot thickens – there are never simple answers – because one’s personal convictions, their morality, is always a result of external factors; our environment, our culture, our upbringing. Perhaps some would like to suggest that our DNA pushes us in certain directions, but that, too, would be a result of external factors: We might be born good/evil (a huge oversimplification), but the externality remains, as our DNA is a result of our ancestors.

Ultimately, the debate “ethics or morality” is important – after all, that’s the whole point of this post, right? – because it refers to another crucial difference that, although contained in the one between personal/collective convictions, is easier to miss.

That difference is between knowledge and behavior.

ethics or morality
For Plato, as for most ancient Greek philosophers, morality was related to eudaimonia (ευδαιμονία), or human well-being.
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Are Narrative Worlds Real? Reflections on Metaphysics

May 22, 2023

As a child, whenever I got emotionally affected watching a film or reading a story, my folks would try to console me saying “It’s not real, don’t worry”. That didn’t help at all. To me, narrative worlds were real, more real than reality itself. After all, fiction and reality are not antonyms.

When we talk about the reality of imaginary worlds – narrative worlds, in our case – the discussion seems moot. “Of course narrative worlds are not real”, any random observer would likely utter with – not misplaced – confidence.

After all, when you follow the characters of a video game, you can always save your progress and restore if something goes wrong. Similarly, when you read about a lonely female programmer plagued by indecision, her life never leaves the confines of the novel. You can’t meet that woman, her actions don’t dictate yours and can’t change the world.

Or… can they?

narrative worlds real
Are photos real? Even if they are made “traditionally”, using light passing through a lens (rather than being e.g. a computer render), where do we draw the line between “too much post-production” blurring (no pun intended) the lines between being real and being imaginary? Establishing the reality of narrative worlds faces similar puzzles
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