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Review of A Trick of the Light by Brandt Ryan

March 25, 2024

A Trick of the Light is a short film by Brandt Ryan – based on a short story by Pinckney Benedict that first appeared in the Zootrope literary magazine. If the name is familiar, you’ve also read my review of his play Restitution. If the name of the film itself rings a bell, perhaps you’ve noticed it on my Bandcamp page. You see – and this should also serve as a disclaimer of sorts, though it hasn’t affected this review – I’ve composed the score for the film. I’ve also had many interesting conversations with Brandt about art, creativity, films, and the Gothic.

Speaking of, you might have noticed “Gothic” is one of the tags accompanying this post. Is A Trick of the Light a Gothic film? There isn’t a yes/no answer to this (which, funnily enough, would be a heck of a Gothic marker if you asked me as a Gothic fiction specialist), but I’ll come back with the long answer in a moment.

You might also recall there is (at the time I’m writing this) one more film review on Home for Fiction: Robert Eggers’s The Lighthouse, which is as Gothic as it can be. Plenty of coincidences – another Gothic markerPerhaps I’m being a bit hasty calling coincidences a Gothic marker, but there is an undeniable connection between the Gothic and what Bakhtin called “adventuristic time”. If you’re interested in the topic, also see my post on coincidences in Frankenstein.! Let’s take a closer look to see why A Trick of the Light is a genuinely intriguing, affectively impactful short film.

A Trick of the Light, album art of soundtrack — Album art of the *A Trick of the Light* soundtrack

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Review of Terminal Boredom by Izumi Suzuki

July 24, 2023

Book Review, Criticism

art, book, Japan, literature, review, science fiction, short story, society, symbolism

4 comments

Terminal Boredom, by Izumi Suzuki, is a collection of science fiction short stories. It includes seven stories in total, and should be possible to finish in one afternoon, should the reader wish to do that. The stories are entirely independent plot-wise, and there is no specific affect-based benefit in reading them all at once.

In other words, the reader doesn’t need to enter any specific reading mood to get the best out of these short stories, which means, whether you read all seven in quick succession or take your time, the result will be basically the same.

You might already be tempted to decipher what I may imply by all this, so let me make it explicit: The stories in Terminal Boredom are an interesting example of a narrative that basically somewhat relies on plot, while at the same time it somewhat presents some intriguing symbolism.

I think the best description I can offer for Terminal Boredom is that it includes plenty of allusions and meanings, but the reader must work hard for them.

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Review of Popular Hits of the Showa Era by Ryū Murakami

November 28, 2022

Book Review, Criticism

art, book, Japan, literature, review, society, symbolism

0 comments

I want to start this review of Popular Hits of the Showa Era, by Ryū Murakami, by saying that it surprised me with its audacity. The fact that I was surprised is… surprising itself, because I’ve read plenty of Ryū Murakami’s novels – parenthetically, no relation to Haruki Murakami – and they’re all as audacious.

And yet, there was something about Popular Hits of the Showa Era that made it profoundly daring and disturbing in abstract, symbolic ways. As you can perhaps tell by this comment, I really liked the book.

But I must warn you: It’s a book that is very difficult to like; the average reader will probably be disgusted by it. Reading Popular Hits of the Showa Era is an experience similar to reading American Psycho, by Bret Easton Ellis: a misunderstood masterpiece that hides a riot of meaning under the deceptive surface.

All this makes this review of Popular Hits of the Showa Era all the more important. There are lessons to learn about writing, reading, and art in general.

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