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Gothic

Review of A Trick of the Light by Brandt Ryan

March 25, 2024

A Trick of the Light is a short film by Brandt Ryan – based on a short story by Pinckney Benedict that first appeared in the Zootrope literary magazine. If the name is familiar, you’ve also read my review of his play Restitution. If the name of the film itself rings a bell, perhaps you’ve noticed it on my Bandcamp page. You see – and this should also serve as a disclaimer of sorts, though it hasn’t affected this review – I’ve composed the score for the film. I’ve also had many interesting conversations with Brandt about art, creativity, films, and the Gothic.

Speaking of, you might have noticed “Gothic” is one of the tags accompanying this post. Is A Trick of the Light a Gothic film? There isn’t a yes/no answer to this (which, funnily enough, would be a heck of a Gothic marker if you asked me as a Gothic fiction specialist), but I’ll come back with the long answer in a moment.

You might also recall there is (at the time I’m writing this) one more film review on Home for Fiction: Robert Eggers’s The Lighthouse, which is as Gothic as it can be. Plenty of coincidences – another Gothic markerPerhaps I’m being a bit hasty calling coincidences a Gothic marker, but there is an undeniable connection between the Gothic and what Bakhtin called “adventuristic time”. If you’re interested in the topic, also see my post on coincidences in Frankenstein.! Let’s take a closer look to see why A Trick of the Light is a genuinely intriguing, affectively impactful short film.

A Trick of the Light, album art of soundtrack — Album art of the *A Trick of the Light* soundtrack

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Accidental Creativity: The Undead Muse

April 10, 2023

Experiencing, Writing

creativity, experiencing, fiction, Gothic, music, writing

2 comments

First things first: The Undead Muse is the title of my most recent music album that, like the rest of the music that I make, is an exploration of postrock and postmetal music. As the title of the album reveals, there are Gothic elements in there – Gothic fiction, that is; not Gothic metal! We’ll talk about all that too, but there is another focus in this post: what I term accidental creativity.

Many writers will likely relate to the concept of accidental creativity, and will immediately understand what I’m getting at. Still, here’s a quick definition: I use the term accidental creativity to refer to artistically creating something that isn’t what you intended.

We’ll need to further revise this – and include some philosophical speculation; for instance, is there anything but accidental creativity? And allow me this little indulgence of combining this with a presentation of this newest album, which I really enjoyed making and really enjoy listening to.

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Pink Gothic: The Cathartic Aesthetics of The Owl House

December 5, 2022

Criticism

academia, aesthetics, affect, criticism, defiance, Gothic, visuality

2 comments

Academic knowledge that doesn’t attempt to create something new isn’t worth a damn. So, to put my own academic expertise to good use, I coin the term Pink Gothic to refer to the aesthetics of The Owl House – particularly, how “Gothic pinkness” assigns a cathartic quality to these aesthetics.

If you already feel a bit overwhelmed – “too many unknown words!” – worry not. I plan to make this post accessible and interesting. So here’s a simpler way of expressing the same thing as above:

I decided to write a post where, inventing the term “Pink Gothic”, I explore how colors and other visual elements in a narrative are associated with the resolution of fears and anxieties – typically brought to the surface by the very same narrative. In this exploration, I use the animated fantasy series The Owl House as an example.

Indeed, it was the aesthetics of The Owl House that inspired me to reflect on this matter. It’s likely (if not highly likely for my usual readers) that you’re not familiar with The Owl House. Again, worry not. I will offer plenty of examples along the way.

aesthetics of the owl house pink gothic — Pink Gothic is all about **juxtaposition**; combining visually – and ultimately **affectively** – incongruent elements. When it comes to the aesthetics of *The Owl House*, in particular, their cathartic quality is a direct result of intelligent use of color, depth, and space

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