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Too many Photos, not enough Experiences

March 12, 2018

I’ve said in the past how memory is everything for a writer. More importantly, however, it’s precisely the memorable experience that is useful for authors. In other words, experiencing something that affects you helps create an image of the experience. This mental image, though accessible only by and through your mind, is very vivid and powerful in terms of affect. Perhaps it is its very nature – abstract, rare, living its ghostly existence only in your consciousness – that gives it its power. Compare that with the modern habit of taking too many photos without the experiences associated with them.

It’s insidious.

I doubt – though nowadays, you never know – you took actual photos during your first date with your loved one. Which one do you remember the best, particularly in terms of affect? The first date from ten years ago with zero photos or a vacation four years ago with hundreds of actual photos (and plenty more selfies)?

Taking too many photos without the experiences the photos refer to renders them both meaningless. Let’s see why, and it’s particularly from an author’s standpoint I’m examining this. It all began… with a dream.

too many photos, not enough experiences
I’m using this image to connote the concept of “memorable experience”. But from the couple’s own perspective, the only image of their experience worth having is the one in their minds
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Use of Tenses in Fiction: How to Pick the Right One

March 9, 2018

The use of tenses in fiction (and writing in general) seems like a self-evident thing. You use the past tense when things happened in the past, the present tense when they happen in the present, and the future tense when they will happen in the future. It seems so simple, and yet picking the right tense at the right time is a crucial element for success in writing fiction.

You see, one major aspect that most writers don’t seem to grasp, is that a novel is not an exercise in writing “proper” English. Instead, a work of fiction is a necessary medium for an author’s thoughts to reach an audience. As a result, rules are secondary; affect is primary.

Still, even within a “playing-by-the-rules” context, the choice of the right tense isn’t always an obvious thing. In today’s article I’ll let you know how to pick the right tense at the right time. By “right”, we mean the tense that allows affect to be expressed. We are not concerned about “proper” English. We are concerned about affective power.

use of tenses in fiction
Often in photography it’s not about what you show, but about what you don’t. It’s the same in narrative, and choosing the right tense can be crucial about “nudging” the narrative in the proper direction, temporally and emotionally.
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Plot Is Overrated, so Write what Matters

March 7, 2018

I often go to Amazon’s Best-Sellers List to find free Kindle eBooks. The problem is, as I explained in my article on the supply and demand of writing fiction, that there is simply too much noise out there. That is, too many mediocre works.

“Hang on!” someone might say. “How on earth can you tell a book is mediocre simply by reading its description?” Well, you can if you’re experienced enough. A long, divulging description usually tells me that the author is preoccupied with the plot. But plot is overrated, grossly so.

Furthermore, bear in mind that long descriptions usually reveal something else, too. A long description is usually a sign of an author who has concocted a plot so convoluted, that it requires a long description to make sense to the prospective reader. Too complex a plot is hard to write and harder to read. Here’s what most inexperienced authors don’t realize:

All plots have been devised already. There is nothing new under the sun. There is no original story by virtue of its plot.

So, if a writer shouldn’t place too much emphasis on the plot, where then? If plot is overrated, what are good novels based on?

plot is overrated
This is what an inexperienced writer’s plot looks like. If this image looks familiar, you’ve probably seen it on my article explicating the chaos of meaning
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