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Ember’s Disappearing Clothes: Unnecessary Diversions in Fiction

October 30, 2023

I’m sure this is one of those post titles I really need to explain. I mean, “unnecessary diversions in fiction” gives you at least some idea what the post will be about, but who the heck is Ember? And what do her disappearing clothes have to do with all this?

Ember is a character in the comic series Storm, drawn by Don Lawrence. In the non-English-speaking world she’s also known as Redhair, from the original Dutch “Roodhaar”. Storm was among my favorite childhood comics – together with Donald Duck. Don Lawrence was an incredible artist, and to me his work still is the reference point for realistic, affectively impactful art.

As a child, I only had the first ten or so Storm books – there have been something like thirty-plus in total, together with some spinoffs. I recently decided to search the net for the books I hadn’t read, and I did find them. It was a nostalgic trip – nostalgia is a trap – but I couldn’t help but notice something interesting: The more the stories progressed, the less… covered Ember became.

diversions in fiction, Ember's disappearing clothes
At first, Ember was dressed in rather ordinary clothes. But after a few books, her style became more and more revealing. By the end of the series (bottom left), there is very little left to imagination (scanned images from original drawings by Don Lawrence).
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Punning Walrus: a Wise-Ass Just Like His Creator

October 23, 2023

Punning Walrus is a linguistically self-aware cartoon character I’ve created. You might have already seen him visiting the updated Home for Fiction main site – and here is a post describing that experience.

Punning Walrus began as an inside joke, the details of which probably don’t interest you. Suffice to say, however, that Mr Walrus shares a lot of qualities with his creator, yours truly: He is endlessly critical, linguistically self-aware, and intelligent – being modest though isn’t one of his strongest points.

Mr Walrus spends his time annoying others, being perennially grumpy yet ultimately good-hearted. But doublecross him and he’ll murder you – with words.

Punning Walrus cartoon
Punning Walrus, a wise-ass as critical, linguistically aware, intelligent and modest (cough, cough) as his creator
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The Place of Style in Thinking about Literature

October 16, 2023

Today’s post – “The Place of Style in Thinking about Literature” – is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. You can find him on LinkedIn and here is his own blog.

Art is contact with the inhuman that dwells in all of us: be it the animalistic and abject subhuman – as in Lautréamont, Clive Barker, Artaud, Pierre Guyotat – or the angelic and sanctified superhuman – as in the biblical psalmist, Rōdhakī, Hāfez or Petrarch. Style, therefore, is not a form of individual expression, externalization of the soul, exposition of a supposed interior, but the making up of a just form (fair, as in Law, fit, as in Fashion). This form is just because it is homologous to the world, it follows the same logic as the world (homo-logos): as obscure, dense and impenetrable as the matter of the day.

Style, therefore, is the way to make things – ideas, beings, moments – last in time, which means that language also lasts to allow this lasting. It thus opens up the chance for a reader to place their own time transversely in the timed chronometer of work and routine.

style and thinking about literature
Style, thinking, literature. Art. Language.
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