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“Why Is Writing Hard?” and the Fallacy of Writer’s Block

September 20, 2021

The quotation marks around the title question, why is writing hard, should reveal that it’s a question many authors ask. Well, if we believe Google, at least. In any case, this is something I have also seen in private conversations.

To be fair, in such contexts the question is more implicit. That is, people don’t generally ask directly why writing is hard. Still, I have definitely detected such a mindset.

For instance, when I met an acquaintance after two or three years, he remembered I’d told him I was writing a book – that was Apognosis. “I can’t believe it,” he congratulated me, “you’ve written a book!”

I realized he’d thought I was writing my first book. Since I generally don’t advertise about my traditionally published past, people aren’t aware of it. I couldn’t resist teasing him a bit, so I said (which was the truth): “Actually, I’ve written another three since we last spoke”. You should’ve seen his face. The poor guy was looking at me as if I’d just told him I’d squared the circle.

So, why do people think writing is hard? More crucially, is writing hard? The answer is yes, but probably not for the reasons you suspect.

In this post I’ll try to answer why, in my opinion, indeed writing is hard, and why you should care as a writer (and perhaps reader). If our goal is to produce better literature, we need to know why it’s difficult.

writing is hard
Writing can be really hard when you have the wrong setup
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Review of The Memory Police, by Yōko Ogawa

September 13, 2021

The Memory Police, by Yōko Ogawa, is basically a dystopian novel about a Japanese island where things “disappear” on an apparently random basis, and people must forget about them. If they can’t, no problem; Memory Police to the rescue. They make sure people forget the things that “disappeared” by forcing them to destroy these things.

All that sounds very dystopian, and it certainly is. There’s an undeniable aura of 1984 floating in Ogawa’s novel, but it’s much more subtle than that. That is good news, of course, but at times it also becomes problematic, for reasons that are both interesting and educational.

In other words, if you’re interested in dystopian narratives, you should pay close attention. Ogawa’s novel is an excellent example of how genre crossover can be problematic.

memory police
Secrecy, irrationality, submission. These and other elements of dystopian fiction are present in The Memory Police
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What Setting Goblin Market to Music Taught Me about Writing Fiction

September 6, 2021

Recently, on a whim, I decided to set Christina Rossetti’s poem Goblin Market to music. I had a lot of fun doing that, as I expected. What I didn’t expect was that the experience would teach me something about writing fiction. But remember, art is holistic.

The reason I decided to share my experience of adapting Goblin Market to music is that it makes for an excellent teaching opportunity. In other words, I want to share with you what I learned from this, because I believe it can be very efficient for anyone interested in writing fiction.

At the end of this post, I’ll also share a link to the album, which you can stream or download for free.

goblin market music
Cover of the Goblin Market music album. The Focus Protocol is a lo-fi music vehicle for some of my artistic ideas
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