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Do Writers Have Social Responsibility?

July 5, 2021

I don’t know; that’s the only honest answer to the question above. That’s also the reason why I phrased it as a question. Do writers have any social responsibility? I will try to get a bit closer to the truth during the process of composing this post. If it can help you, too, in some way, all the better.

As a first thing, we would need to lay down some important theoretical foundations. When we wonder whether writers have social responsibility, there are two elements we need to define or clarify:

  • What do we mean by “writers”? Fiction writers? Nonfiction writers? Artists (who, remember, are not the same as writers)?
  • What on earth is “social responsibility”?

Most misunderstandings arise from using the same word but meaning different things – think of “love” or “success” – so being as clear as possible about our definitions is important. So, I’ll begin with trying to clarify these terms in my own head first, and then I’ll try to see how (if at all) they play ball together.

writers social responsibility
Writers have no social responsibility. They only have responsibility toward their art
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The Scope and Limits of Satire: How to Be Offended Skillfully

June 28, 2021

Let’s get this out of the way: Are there limits in satire? My answer to that is “No”. But we have to be careful defining satire in the first place.

Just like love or success – my two favorite examples – many people use the concept of satire to mean something entirely different. Doing so, they use “satire” without limits for purposes beyond the scope of satire.

In this post we’ll take a look at the dynamics of satire, its limits (which there shouldn’t be), and everything else you need to know so that you can offend yourself skillfully!

limits of satire
Satire has no limits, as long as it’s genuine satire, with a specific scope and purpose
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Review of Restitution by Brandt Ryan

June 21, 2021

Disclaimer: I read the play Restitution, by Brandt Ryan, in a professional capacity. In other words, I received remuneration to do so in order to offer feedback. This has not affected this review, which is entirely independent, my own initiative, and a result of my having found the text impressive.

Restitution, by Brandt Ryan, is a one-act play. It takes place on the platform of a New York subway station, late at night, in the summer of 1990. The title of the play alludes to restitution payments claimed by Jewish survivors of World War II, and is also a thematic element in the story.

The play involves two young grifters, Figgy and Margot, who are anxiously awaiting for someone to arrive in order for their swindling plan to take form. While waiting for the arrival of this person – a street performer being the only other presence on the platform – they discuss the details of their con, reflecting on ethics as well as practical dangers involved.

That’s basically all you need to know before entering the world of the play. Because the characters take over immediately, creating an engaging, dynamic story.

Restitution
Restitution, a play in one act
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