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Linear Narrative Progression? No, Thanks

January 23, 2018

Narrative Progression: From Point A to Point B

One of the biggest markers of inexperienced genre fiction writers is the way their narratives progress. In genre fiction such as romance fiction, detective fiction, etc. events often occur in a very linear way. A leads to B which leads to C; one second, then one second, then one second. A narrative progression where events are described in the order they have occurred is called a linear narrative progression and, as you realize, it is the simplest way to narrate an event. Let’s see a quick example, which we can later adapt and reuse.

Last weekend I went to New York and met a guy named John. Today I saw John walking down the street here, in Boston. We agreed to go fishing next Sunday

It’s a clear, natural-looking example. You wouldn’t think that there’s anything wrong with producing an entire narrative like that, right? Only, there is, which is the motivation behind today’s article. I will first show you why it’s a bad idea to structure your book following a linear narrative progression, then I will show you how to restructure it in a nonlinear narrative progression.

linear narrative progression
In a narrative, unlike reality, time doesn’t have to progress in a linear fashion
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“Is This Book Good? Or Is It Boring?”

January 21, 2018

Browsing around Goodreads, I noticed something interesting. In a discussion on a famous novel, someone asked: “Is this book good? Or is it boring?” I must admit, I was taken aback quite a bit by this question. I have seen questions like this before, as I have seen questions like “do you like my poem?” or “Is this a good photo, do you like it?”

This is a fundamental error that can lead to some serious misunderstandings. More crucially (and depressingly) it tells me that the average person doesn’t really understand anything about art. Perhaps partly because they were never taught how to. Our “education” systems promote not critical thinking but regurgitation of ideas; not compartmentalized meta-thought (multi-layer thinking about the process of thinking) but repetition. Welcome to the wonderful world of mediocrity

is this book good
“Is this book good?” Maybe a silly horse can answer that silly question
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Writing Motivation: Why Do We Write Fiction

December 28, 2017

People approach the motivation behind an action usually from a linear, cause-and-effect perspective. This isn’t necessarily wrong: we eat because we are hungry, and we drink because we are thirsty. However, increased complexity begins to blur the lines between a cause and its effect. Sometimes we might eat not because we are hungry, but because we are sad. Writing motivation, that is, the force behind the production of text, is such a complex issue.

To some extent, you can claim that writing motivation originates from the desire to write. I write because I want to tell a story is probably a basic, simple way to describe it. But there is a problem there. “I want to tell a story” indicates volition. Writing fiction cannot be a process you do willingly.

The first thing you see when you visit the main site – https://homeforfiction.com – is a quote by George Orwell that aptly describes the madness and self-conflicting feelings behind writing fiction. Any author will tell you: they hate writing; every word, every sentence, every page and every chapter. It’s exhausting, life-sucking, it messes with your head.

So, why do we do it?

writing motivation
To paraphrase an oft-quoted phrase, authors hate not writing and hate writing. They only like having written
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