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Review of The Travelling Cat Chronicles, by Hiro Arikawa

January 18, 2021

As you might have noticed from previous reviews, I’m a great fan of Japanese literature. I’m also a great fan of cats. Combine the two, and this review of The Travelling Cat Chronicles, by Hiro Arikawa, was the result.

Indeed, I’m writing this review mere minutes after I finished the book, as the impact is still very fresh in my mind. You should also know that I finished reading the book in a few hours – it’s one of those books that simply flows effortlessly.

So, what is The Travelling Cat Chronicles about? Much more than what the premise lets you think.

Review of The Travelling Cat Chronicles
In Memoriam
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The Perfect Gray – New Literary Fiction Novel

October 12, 2020

So, here we are… A new literary-fiction novel – though, hey, what’s so “novel” about a novel? The Perfect Gray is a project I began almost as an exercise. The idea came soon after I wrote the post on concept fiction. Quite frankly, I had absolutely no plan in mind regarding plot or characters, which of course is the whole point behind concept fiction.

At 70,000 words, The Perfect Gray is within the usual range of literary fiction word counts, yet I still find it a bit surprising how little it took me to complete it – about 5 weeks.

What is it about? I’ll let one of the character in The Perfect Gray to answer that:

It’s always hard for writers to tell you what their book is about. But I think you’ll like it.

perfect gray
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Review of In Absurdia, by Glenn Whalan

September 7, 2020

In Absurdia, by Glenn Whalan, is a novel; sort of. In Absurdia, by Glenn Whalan, is an experimental-fiction novel; sort of. And this is a review of In Absurdia, by Glenn Whalan; (wait for it) sort of.

Quite honestly, this must be among the most unorthodox reviews I’ve ever had to write, not because I feel particularly ambivalent about the book I decided to review, but because I feel speechless – as in, literally speechless; I have so few things to talk about.

This, as we will see, contains hints both for the book and against it. However, even that is not as clear-cut as I’d like to make it sound. Concept such as “book”, “for”, or “against” are not something that seems to be in accord with what In Absurdia is all about.

in absurdia
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