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Sleeping in the City of Abandoned Dreams

October 3, 2025

Writing

art, book, creativity, fiction, literature, writing

Sleeping in the City of Abandoned Dreams is a short novel I recently wrote. It took me exactly 10 days to go from “blank page” to “edited, ready for publishing”. Of course this is unusual even by my standards (writing short, abstract, poetic fiction).

What made this possible – and at the same time very easy and pleasurable – was a concordance between methodology and subject matter.

Sleeping in the City of Abandoned Dreams is probably the most free-styling, artistic kind of work I’ve written that still counts as prose. I certainly can detect an evolution in my literary production, with novels like The Storytelling Cat being far more abstract, artistic, poetic than my earlier works.

So where does Sleeping in the City of Abandoned Dreams sit in all that? Let me explain…

Sleeping in the City of Abandoned Dreams. Book cover art.
Cover art by yours truly. The color palette is not accidental, by the way…
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How to Be a Fiction Writer in the AI Era

September 24, 2025

Fiction, Society

computer, creativity, fiction, literature, society, writing

Virtually all of my fiction writing advice focuses on art: It’s quality writing I care about, not marketing or how to make money with one’s fiction. Nonetheless, my posts still (even if indirectly) also explore marketing repercussions. Today’s topic, revolving around how to be a fiction writer in the AI era, is no exception.

At the same time, however, there is a subtle but important difference.

Whereas in other posts – see, for instance, my post on fantasy fiction – I basically argue that one should write for the art and forget about monetary concerns, when it comes to fiction writing and AI there is a different argument I will be presenting, which boils down to this:

Write well (also) because of marketing considerations.

In other words, in this brave new world where one can “write” a “narrative” (quotation marks necessary) in a matter of an hour or two, publishing an entire series in a single day, it becomes more important than ever to focus on the quality – and above all, the authenticity – of what you write.

writer in ai era. photo of street artist.
Though there is always an “intended audience” element involved in art, true art is not made for anyone but one’s self. The audience is only an accident. This ideological approach is even more important if you’re a fiction writer in the AI era, an era brimming with mediocrity and ignorance.
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Terminal Care: a Science Fiction Novel

November 11, 2024

Fiction, Writing

book, fiction, literature, science fiction, writing

After the short-story collection I talked about recently, A Less Disturbing Form of Reality, this is another old work retrieved from the depth of hell my, shall we say, secondary literary repertoire. Terminal Care is a science fiction novel with elements of a political thriller.

This sentence alone is probably enough to convince you that this is a novel far, far outside my usual literary repertoire. Terminal Care, being science fiction, is much closer to my academic expertise but much father from my literary interests.

Besides aspects of genre, this is one of those works of mine that all share some other similar characteristics:

  • Written a long time ago.
  • Unpublished or published using a pen name.
  • Not quite my cup of tea.

This last part in particular might surprise you. Why the hell did I write it, then? Why do I share it now?

Terminal care, science fiction novel. image of album cover.
In all honesty, I don’t take my genre works too seriously. They do have value, but it’s not literary; it’s entertainment. Terminal Care is a science fiction story, and this can be intriguing, but it’s not high art. The cover is an AI render – just to highlight I don’t take it too seriously.
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