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Tell Me, Mariner – a Collection of Transcendent Short Stories

October 4, 2021

Tell Me, Mariner is a collection of short stories I’ve recently put together. More still, it’s a collection of what I refer to as transcendent short stories. If you remember “1992”, that I recently published here, it’s part of this very collection.

This collection features The Mariner, a character who is very special in my work, for reasons that become clearer to readers of this volume. In a nutshell, The Mariner is a character that is, quite literally, central in many of my novels. He’s not a main character in any of them, and he’s not even literally present in all of them – though he is figuratively present. Recall what we’ve said about style and authorial trademarks.

If all this sounds abstract, remember that this is a collection of transcendent short stories. Part metaphorical, part magical-realism, part Kafkaesque.

transcendent short stories
Tell Me, Mariner is a collection of transcendent short stories – stories where “what it feels like” is more important than “what it is”
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“Why Is Writing Hard?” and the Fallacy of Writer’s Block

September 20, 2021

The quotation marks around the title question, why is writing hard, should reveal that it’s a question many authors ask. Well, if we believe Google, at least. In any case, this is something I have also seen in private conversations.

To be fair, in such contexts the question is more implicit. That is, people don’t generally ask directly why writing is hard. Still, I have definitely detected such a mindset.

For instance, when I met an acquaintance after two or three years, he remembered I’d told him I was writing a book – that was Apognosis. “I can’t believe it,” he congratulated me, “you’ve written a book!”

I realized he’d thought I was writing my first book. Since I generally don’t advertise about my traditionally published past, people aren’t aware of it. I couldn’t resist teasing him a bit, so I said (which was the truth): “Actually, I’ve written another three since we last spoke”. You should’ve seen his face. The poor guy was looking at me as if I’d just told him I’d squared the circle.

So, why do people think writing is hard? More crucially, is writing hard? The answer is yes, but probably not for the reasons you suspect.

In this post I’ll try to answer why, in my opinion, indeed writing is hard, and why you should care as a writer (and perhaps reader). If our goal is to produce better literature, we need to know why it’s difficult.

writing is hard
Writing can be really hard when you have the wrong setup
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Review of The Memory Police, by Yōko Ogawa

September 13, 2021

The Memory Police, by Yōko Ogawa, is basically a dystopian novel about a Japanese island where things “disappear” on an apparently random basis, and people must forget about them. If they can’t, no problem; Memory Police to the rescue. They make sure people forget the things that “disappeared” by forcing them to destroy these things.

All that sounds very dystopian, and it certainly is. There’s an undeniable aura of 1984 floating in Ogawa’s novel, but it’s much more subtle than that. That is good news, of course, but at times it also becomes problematic, for reasons that are both interesting and educational.

In other words, if you’re interested in dystopian narratives, you should pay close attention. Ogawa’s novel is an excellent example of how genre crossover can be problematic.

memory police
Secrecy, irrationality, submission. These and other elements of dystopian fiction are present in The Memory Police
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