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Writing Gimmicks and How to Avoid Them

September 28, 2020

Writing gimmicks are tricks authors use to distract readers from a bad text. We’ll be defining this in more detail in this post, but in this context a trick has nothing to do with reader manipulation.

Reader manipulation is a legitimate narrative technique. Writing gimmicks, on the other hand, are not techniques but fluff. Indeed, writing gimmicks often have nothing to do with the text itself and are more about extra-textual factors.

In this post we’ll see what writing gimmicks are, how to avoid them, and there’s also a bonus: What are reverse writing gimmicks, and how to take advantage of them. As an example, I’ll throw in a brief reference to a kick-ass Japanese rock band. Home for Fiction combines everything, you can’t complain!

writing gimmicks
It looks flashy, but the way doesn’t affect the result. That’s what a writing gimmick is, too
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Review of In Absurdia, by Glenn Whalan

September 7, 2020

In Absurdia, by Glenn Whalan, is a novel; sort of. In Absurdia, by Glenn Whalan, is an experimental-fiction novel; sort of. And this is a review of In Absurdia, by Glenn Whalan; (wait for it) sort of.

Quite honestly, this must be among the most unorthodox reviews I’ve ever had to write, not because I feel particularly ambivalent about the book I decided to review, but because I feel speechless – as in, literally speechless; I have so few things to talk about.

This, as we will see, contains hints both for the book and against it. However, even that is not as clear-cut as I’d like to make it sound. Concept such as “book”, “for”, or “against” are not something that seems to be in accord with what In Absurdia is all about.

in absurdia
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Review of Confessions of a Mask, by Yukio Mishima

August 24, 2020

As is often the case with some of my reviews – Outline, by Rachel Cusk comes to mind – this review of Confessions of a Mask, by Yukio Mishima, is not just a review. It’s also an opportunity for me to explain something about how literature is supposed to operate.

And here’s the (meta-)lesson: There’s no “supposed to” in literature.

Yukio Mishima’s Confessions of a Mask – in a meta-textual twist, having this very element as the core of its plot – demonstrates how awfully things can fall apart once you begin following rules and supposed-tos.

Mishima’s novel is probably one of the most difficult books I’ve ever thought to review. Not only does it defy categorization, but reading it I wonder whether we could even call it “a novel”. In that regard, it’s very similar to Invisible Cities, by Italo Calvino.

Review of Confessions of a Mask
Confessions of a Mask is a fine example of our struggle to balance between being part of society and understanding it can’t offer us what we crave. If this duality sounds familiar, take a look at my post on the meaning of Jinjer’s “Pisces” – talking about a multi-layered metaphor, huh?
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