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Conscientious Workers: Meaning of a Dying Breed

June 17, 2024

What’s the first word coming to mind when you hear conscientious? Though it might be objector (an interesting topic for another day), in this post I’m focusing on conscientious workers and why, as a concept, it’s highly revealing of the rapid societal transformation we’re experiencing.

Inspiration for this post came from a remarkable interview the French-Greek philosopher Cornelius Castoriadis gave in 1991. Castoriadis is not very well known in the Anglophone world – he wrote in French – but his societal analyses are remarkably prescient. If you haven’t done so, take a look at my post on the collapse of criteria – based on this very interview I’ll be examining today, too.

In a nutshell, Castoriadis makes an intriguing argument regarding conscientious workers as a dying breed. According to him, to work conscientiously is meaningless in capitalism from a systemic point of view. Capitalism relies on conscientious workers, but does not produce them; they are remnants of older societies.

It goes without saying that the repercussions are monumental – and dystopian.

conscientious workers; image of woman packaging
When you have to work long hours at relentless speed (and with the threat of being fired if you don’t), quality becomes a meaningless sidethought
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Thucydides and Linux: a Free or a Peaceful OS?

May 27, 2024

You’ve got to admit, seeing Thucydides and Linux together in the same sentence isn’t something ordinary. “Linux” and “free” is far more common, for obvious reasons. But whether Linux is free is one discussion; whether it’s a peaceful operating system yet another.

So where does Thucydides, the ancient Greek historian, enter the picture?

You might recall from some previous posts – for instance, the concluding section of writing academic theses – that Cornelius Castoriadis, drawing on Thucydides, puts forward an apt suggestion: We can be free or we can be peaceful, but being both is impossible.

In our time – when to some/many/most/[pick depending on your neighbors] people to be free means to own guns – understanding the repercussions of freedom becomes more pressing than ever.

And yes, this includes your operating system! However, I should make one thing clear here: The role of this post is not to glorify one OS and snub others. It’s not even about computers and technology – not primarily at least. The post is about society.

Linux free, not peaceful; AI render of Thucydides using a computer on Acropolis
As if combining Thucydides and Linux wasn’t wild enough, I thought to reach the utmost of absurdity and use AI to generate this image
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Selfish Artists: Dynamics of A Peculiar Concept

April 15, 2024

All people are selfish, artists or not. This might sound like a hot take, but it’s actually trite: When all are something, nobody is. In other words, all people are selfish because that’s human nature – we are the center of the universe because that’s how we perceive everything – but the fact that there are degrees is what allows us to call someone selfish and someone else not.

Linguistic and metaphysical trickery aside, selfish artists are a peculiar concept because the nature of art itself (especially in connection with authorship) is as peculiar. By its nature, art isn’t quantifiable, whereas artists are humans with intense desire to quantify everything.

Do artists have social responsibilities? That’s a question we’ve wondered about. Selfish artists, as a concept, is somewhat relevant to that question, but not entirely. The topic boils down to the degree an artist respects the art, their work, and ultimately themselves.

selfish artists. image of a person with colorful paint
Here’s a little meta- take on selfish artists: The original image (public domain) was much more colorful, with high saturation. I assume the photographer became a bit too enamored with the vivid colors and cranked up the saturation. Before posting it, I slightly lowered the saturation to let the image “breathe”. Who’s selfish? The photographer for going all out and “disrespecting” the art, or I for essentially imposing my artistic will on someone else’s work?
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