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Ophelia’s Secret: Agency and Conceptual Cohesion in Art

August 7, 2023

Experiencing

art, experiencing, literature, music, Shakespeare, writing

The title seems very opaque and ambiguous, I’m sure (welcome to my world). “Ophelia’s secret? What secret? Ophelia who?” I hear you ask. “And what on earth do you mean by ‘agency and conceptual cohesion’?”

First things first: With apologies to non-fictional Ophelias (and any secret they might have) out there, there is only one Ophelia: Shakespeare’s Ophelia.

Ophelia is a character in William Shakespeare’s drama Hamlet (1599-1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet, who, due to Hamlet’s actions, ends up in a state of madness that ultimately leads to her drowning.

Wikipedia

So, what is Ophelia’s secret, and what does it have to do with agency and cohesion in art? To explore thisLike hell! Rather, I first began composing the album and then, along the way, I discovered the lessons., I composed a music album titled Ophelia’s Secret.

Ophelia's Secret album art
Album cover of Ophelia’s Secret, designed with the help of Bing Image Creator
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How to Name a Character in Fiction

July 31, 2023

Fiction Writing Tips, Writing

characters, creativity, fiction, literature, writing

What’s in a name, huh? Choosing how to name a character shouldn’t be too big a problem, right?

Well, not so fast.

Just as coming up with the perfect title for your novel is harder work than might initially appear, choosing a name for a character in fiction or even a video game contains significant complexity. The reason?

Names are symbolically powerful. Moreover, because – for better or worse – names form an integral part of our identity, naming a character assigns a huge weight on their shoulders. Allow me to use a short excerpt from Illiterary Fiction to make the point:

With a sigh, [Paul] turns around and begins to walk in the direction of the bar – amused by the fact that he still doesn’t know the bartender’s name, and probably never will. Names can be misleading, he thinks, because each name carries with it an entire ideology. What if the man’s name were Giuseppe or, heck, Hassan? What if it were Sabrina, what would then Paul think?

And so, in this post, I’ll offer you a few tips on how to name a character in your work. The right name can work wonders in terms of conceptual integrity, as well as relatability. Overall, naming your characters is a crucial part of the overall affective impact of your narrative and, as such, an author shouldn’t ignore the potential.

how to name a character
To name a character is to help them stand out – in particular ways – from the crowd that is the surrounding narrative. As an author, you must take control of this process
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How to Use Flashbacks: The Role of the Past in Writing Fiction

June 26, 2023

Fiction Writing Tips, Writing

creativity, fiction, literature, narrative, time, writing

Humans are temporal beings: We live in the present (good luck defining that), but we also have a vastly complex understanding of the past. Moreover, we can anticipate future events, even those, as Schopenhauer put it, in times far ahead of our own. Inevitably then, when it comes to writing fiction, learning how to use flashbacks and understanding the role of the past is an integral element.

Narratives come in all forms and shapes, and the more experimental a narrative is, the less likely it will follow commonly found patterns. Nonetheless, the overwhelming majority of novels feature some sort of characters, some sort of narrative antagonist, and display some sort of structure.

They also display some sort of narrative progression. And, unless for some rather simplistic, point-A-to-point-B stories that are entirely linear, some sort of temporal back-and-forth is present.

In this post I’ll show you how to use flashbacks skillfully, that is, with a narrative intent. To use flashbacks well is to increase affective impact and narrative meanings, and overall, be in better control of your novel.

How to use flashbacks
To use flashbacks efficiently, you need to understand the narrative purpose they serve – which is often much less about the “hard facts” (exposition) and more about the dreamy, ambiguous meaning (affect)
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