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How to Use Flashbacks: The Role of the Past in Writing Fiction

June 26, 2023

Humans are temporal beings: We live in the present (good luck defining that), but we also have a vastly complex understanding of the past. Moreover, we can anticipate future events, even those, as Schopenhauer put it, in times far ahead of our own. Inevitably then, when it comes to writing fiction, learning how to use flashbacks and understanding the role of the past is an integral element.

Narratives come in all forms and shapes, and the more experimental a narrative is, the less likely it will follow commonly found patterns. Nonetheless, the overwhelming majority of novels feature some sort of characters, some sort of narrative antagonist, and display some sort of structure.

They also display some sort of narrative progression. And, unless for some rather simplistic, point-A-to-point-B stories that are entirely linear, some sort of temporal back-and-forth is present.

In this post I’ll show you how to use flashbacks skillfully, that is, with a narrative intent. To use flashbacks well is to increase affective impact and narrative meanings, and overall, be in better control of your novel.

How to use flashbacks
To use flashbacks efficiently, you need to understand the narrative purpose they serve – which is often much less about the “hard facts” (exposition) and more about the dreamy, ambiguous meaning (affect)
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How to Introduce Characters: Examples, Problems, and Genre

March 20, 2023

Whether you write short stories or novels, fantasy fiction or literary fiction, you have to deal with characters. Even experimental fiction needs some sort of characters. Is there an optimal way of introducing your characters to your audience?

This might feel like a deceptively simple thing. Surely, one might think, introducing characters can’t be that hard? Well, writing is as hard as you make it, in a way, but that’s beyond the point. Rather, our point in this post is to discover whether there is an optimal way of presenting your characters to your readers.

Obviously, the statement is rhetorical.

Of course there are more than one ways of introducing your characters to your audience, which automatically makes some of those ways “better” – and we’ll soon have to define that – and some “not so great”. Which means, as a writer you have a strong incentive to reflect on how you introduce your characters in your fiction.

That’s what I’m here for!

In this post I’ll show you – with examples – the different ways we can use to introduce the characters of our story. I’ll explain why some ways are “better” than others (and what that really means), though we’ll also take a look at some problem points; gray areas, if you like. Sneak preview: These have to do with the ever-lasting struggle to balance between genre and literary expression, between marketing and art.

how to introduce characters
The “right” way to introduce the characters of your story depends on artistic priorities, narrative balance, and affective intent. In plain terms, it depends on you, the author
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What Donald Duck Taught Me About Fiction

November 7, 2022

I might have mentioned it before: I owe a lot of whatever I know about writing fiction to… Donald Duck. Reading Donald Duck taught me a lot about reading, writing, and writing fiction. Indeed, I learned to read and write before I went to school, thanks to Donald Duck.

My folks got bored of reading stories to me, so I had to figure it out myself. Then later, when I was maybe seven (memory is very thin ice when it comes to factual accuracy), I wrote my first fiction thanks to Donald Duck. You’ve likely read the story on the main Home for Fiction site:

One day, when I was perhaps seven years old, I read a Donald Duck mystery which was divided into two parts. The first one ended in a cliffhanger, and I sadly had no access to the second part. That was seriously devastating. I solved the problem the only way I could: I took pen and paper and wrote the ending the way I imagined it to be. Those three paragraphs were my first work of fiction.

Years passed. I’ve written a lot, I’ve read a lot, I’ve spent twelve years at the university studying and teaching literature, and overall I have a professional, high-level engagement with fiction.

Imagine my surprise when I realized Donald Duck had more to teach me about literature!

Donald Duck taught me about fiction
Donald Duck has taught me a lot about fiction. And there’s more to learn, still!
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