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What Donald Duck Taught Me About Fiction

November 7, 2022

I might have mentioned it before: I owe a lot of whatever I know about writing fiction to… Donald Duck. Reading Donald Duck taught me a lot about reading, writing, and writing fiction. Indeed, I learned to read and write before I went to school, thanks to Donald Duck.

My folks got bored of reading stories to me, so I had to figure it out myself. Then later, when I was maybe seven (memory is very thin ice when it comes to factual accuracy), I wrote my first fiction thanks to Donald Duck. You’ve likely read the story on the main Home for Fiction site:

One day, when I was perhaps seven years old, I read a Donald Duck mystery which was divided into two parts. The first one ended in a cliffhanger, and I sadly had no access to the second part. That was seriously devastating. I solved the problem the only way I could: I took pen and paper and wrote the ending the way I imagined it to be. Those three paragraphs were my first work of fiction.

Years passed. I’ve written a lot, I’ve read a lot, I’ve spent twelve years at the university studying and teaching literature, and overall I have a professional, high-level engagement with fiction.

Imagine my surprise when I realized Donald Duck had more to teach me about literature!

Donald Duck taught me about fiction
Donald Duck has taught me a lot about fiction. And there’s more to learn, still!
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Similes in the Iliad: The Horrors of War

September 12, 2022

Today’s post – “Similes in the Iliad: The Horrors of War” – is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. Check out his papers on Academia.edu, his music on Bandcamp, and his personal musings on his blog – in Portuguese, Spanish/Castilian, and English. You can also find him on LinkedIn.

I know this must be one of the most common themes of all time. Any individual who is minimally literate and in possession of some literary culture knows that the Iliad is full of great similes.

Contrary to what it may seem at first glance, these artful chunks of language exhibit more than the eye can see: They establish Homer’s views on war in a manner that is surreptitiously under our noses. Through a game of hiding what is in plain sight, Homer criticizes the war at the same time that he seems only to report what is happening on the battlefield.

Similes in the Iliad
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How to Use Beta Readers Skillfully

January 4, 2021

The term “beta readers” refers to people who read your novel before you publish it. They can be invaluable in helping you find problems in your fiction. That is, if you know how to use beta readers in the first place.

You see, most authors have a rather flawed idea of what a beta reader does. For many authors, a beta reader is someone who tells you whether your book is “good or bad”. If you don’t find that idea stupid, you really need to see my post on “good and bad” books.

Indeed, one reason why authors use beta readers is simply to get an advanced rating or review. That’s fine – as you’ll see later, getting advanced reviews for my fiction is basically the only reason I’ve personally used beta readers – but that’s not what a beta reader is there for.

In today’s post we’ll take a look at how to use beta readers skillfully. That is, how to use a beta reader to actually identify problem areas and fix them, rather than just hear “I liked it!” or get a 5-star review.

How to use beta readers
Whether you need beta readers or not depends on whether you care about your audience or not
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