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Every Book Is Autobiographical – or Should Be

January 3, 2022

(Auto)biographies, autobiographical novels, “based on a true story”… There seem to be many ways of more or less describing the same thing. At least that’s what one may think. However, in actual fact, all these are very different modes of writing, with unique requirements. More importantly, for the purposes of this post, most people seem to ignore a very crucial thing: Every book is autobiographical!

This might feel an obviously wrong thing to say. “Hang on, Chris”, you might think. “How on earth can every book be autobiographical? What about American Psycho, or even some science fiction – say, Solaris? Surely, you’re not claiming that Bret Easton Ellis has killed people or that Stanisław Lem traveled to another planet?”

The answer is – to the best of my knowledge – no. Yet both these two examples, just like every other book ever written by any human is deep down an autobiographical book. The reason?

Because every author, even when writing fiction, puts a piece of themselves in it.

Or at least, they ought to! Because about the only way to fail entirely at writing fiction is to not allow yourself – your subjectivity, your experiences, your flaws and vices and insecurities – to become part of the narrative. Writing an autobiographical book the way I just defined it is the easiest way for any author (and especially so for less experienced ones) to introduce affect in their narratives.

Let’s see why that happens and how to control it.

autobiographical book

When it comes to all books being autobiographical, it’s not out experiences that are important, but remembering and reflecting on our experiences
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Vampire Capital: Social Classes in Dracula

December 27, 2021

Note: the following article on Vampire Capital and Social Classes in Dracula is a modified excerpt (pp. 127-131) from my doctoral dissertation, “Time is Everything with Him”: The Concept of the Eternal Now in Nineteenth-Century Gothic, which can be downloaded (for free) from the repository of the Tampere University Press. For a list of my other academic publications, see the list on the main website.

The emergence of the Gothic – particularly the Victorian Gothic – can be traced to the development of the market. The mid-nineteenth century also coincides with one of the most important theoreticians on capital, Karl Marx, who used numerous Gothic metaphors for his references to capitalism:

Capital is dead labour which, vampire-like, lives only by sucking living labour, and lives the more, the more labour it sucks. The time during which the worker works is the time during which the capitalist consumes the labour-power he has bought from him. If the worker consumes his disposable time for himself, he robs the capitalist (342).

Additionally, there is an association between, on the one hand, ghosts and specters, and, on the other, the transcendent nature of commodities and the invisibility of wealth. The association is facilitated through the introduction of economic devices such as the stock market and the prevalence of paper money (Smith, 149–150).

Andrew Smith claims that such an element can also be found in A Christmas Carol, as Scrooge’s wealth “is both there (hoarded) and not there (not in circulation)”, with a parallel formed between the “spectrality” of money and that of ghosts (150). Scrooge becomes a prime example – if not an actual personification – of this very invisibility of wealth.

vampire capital
For Marx, vampire capital was an apt metaphor of how capitalism becomes engorged by parasitically sucking life out of labor
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Stream of Consciousness Nonfiction: Can It Work?

December 20, 2021

This will probably be one of the weirdest posts I’ve ever written, but if we don’t try new things how can we challenge ourselves? Without the courage to lose sight of the shore, how can we discover new oceans? This post on whether stream of consciousness nonfiction can work is an example-in-itself.

I decided to give myself a challenge: start writing a post and see how much I can write in the span of thirty minutes. Can stream of consciousness nonfiction work? What will it look like? Is it worth it? Will I stop making silly, self-evident questions and instead proceed with the post itself?

I’ll document my progress as I go along, because I feel this will be the most useful (to you) part of the entire experiment.

stream of consciousness nonfiction
Whenever I don’t have time to think much about an image, I simply add a cat photo. Always works!
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