Today’s post on (not) repeating reality in fiction is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. Check out his papers on Academia.edu, his music on Bandcamp, and his personal musings on his blog – in Portuguese, Spanish/Castilian, and English. You can also find him on LinkedIn.
If you want your fiction to immerse the reader, you probably suppose you should describe reality as it is. That is, you should be repeating reality in your fiction. Well, you couldn’t be more wrong.
Writing fiction is a process of controlled distortion, in which emphasis is placed on what really matters.
If we describe all the details of an event, we will fill many pages with unimportant trivia. Moreover, we will leave the reader tired, cognitively and affectively, so they will be unable to appreciate the most important moments of the narrative. All our figures of speech, so well crafted, will be nothing more than exhaustive annoyances.
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