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Review of The Glasgow Coma Scale

June 24, 2024

affect, art, book, literary fiction, literature, metatextuality, plot, restraint, review, social masses

Whenever I go to the library, trying to find something to read, I often end up frustrated. Call me picky if you want. Yet as I’m going through the blurbs (nowadays even they are buried beneath the asinine, useless “INSTANT BESTSELLER!” tags), what I see is more and more authors overly enamored with plot. I decided to write this review of The Glasgow Coma Scale by Neil D.A. Stewart before I’d read ten pages of it.

The reason?

Because it at least didn’t try to reinvent the wheel. The blurb didn’t promise some sort of epic saga spanning three continents and six decades, or some sort of in-between state between fantasy and reality.

As it turned out, it was actually a damn well-written book to boot. Truly, a masterclass on what quality literature should be.

review of Glasgow coma scale. photo of street graffiti. — Much of the book is about *juxtaposition*, the interplay between antithetical qualities. Yet at the same time, the title of the book is not only a reference to the location where the events take place – Glasgow, Scotland – but also the eponymous test assessing brain damage and response to stimuli. In a novel about giving up, this becomes a highly relevant metaphor

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AI Tools for Writers: Make Your Life Easier, Keep Your Art Intact

May 29, 2023

Writing

affect, art, creativity, fiction, literature, programming, society, writing

The popularization of artificial intelligence (AI) tools is arguably one of the most important things to have happened in terms of the internet and IT in recent years. We’ve already seen how AI can help programmers, and we’ve also seen the pitfalls of improper AI use. So let’s make it specific for writers and see what kinds of AI tools writers can use – and this will be a case of “it’s not what you think”.

You might recall a post where I explained how AI can write really well but it’s utterly lousy at producing art. This is a crucial detail to keep in mind here: AI can’t do your job for you. AI can’t produce art; currently it can barely produce something emulating it (though this might change in the near future).

In any case, if your goal is to write fiction that actually has something to express, completely eradicate from your mind the idea that you can delegate this job to AI. You can’t rely on AI for anything that is “client-facing”. In other words, you can’t rely on AI for writing.

Instead, I will focus on ways and AI tools writers can use to make their life easier, tickle their imagination, and produce literature that is affective.

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“Kill Your Darlings” May Mean Well: It Is Still Awful Advice

February 13, 2023

Fiction Writing Tips, Writing

affect, book, creativity, criticism, literature, writing

You have surely heard this advice: “Kill Your Darlings”. It might mean well, as its motivation is to help you remove unnecessary text. But there’s a crucial detail: Why on earth would “darlings”, text associated with something you like, actually be unnecessary?

To be fair, I need to make a differentiation here. “Kill Your Darlings” means one thing in nonfiction and another in fiction. The dynamics are different, for reasons we’ll see in this post. But here is the sneak preview: Because “Darlings” is associated with something you like (we’ll see more details and definitions in a while), it refers to affect. And there is quite a bit of difference between nonfiction and fiction when it comes to affect, a way of feeling.

Though I will briefly speculate on what “Kill Your Darlings” may mean in nonfiction, most of the focus of the post will be on fiction. I’ll first start with some definitions – what “darlings” are, and what “Kill Your Darlings” really means. Then, we’ll take a brief look at why killing your darlings is awful advice when it comes to fiction. Finally, as I said, I’ll end the post with a brief speculation regarding what killing your darlings involves in nonfiction.

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