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Review of Untold Night and Day, by Bae Suah

October 9, 2025

I’ve been meaning to write this review of Untold Night and Day by the Korean author Bae Suah a long, long time. Until now I hesitated, the reason being I didn’t feel it’s the kind of book that can be easily described (let alone reviewed) with words. I felt I needed something else – literally another work of art; keep reading! – to properly express what a masterpiece this short novel is.

You see, Untold Night and Day is so out of the ordinary that it utterly defies traditional categories of literary criticism. Genre? Plot? Characters? These concepts break down when dealing with such a masterpiece, such an authentic writers’ book.

I’ll try anyway. Just as a sign of respect toward Bae Suah, who gave the world such a stunning piece of art.

Suffice to say, I’ve read it five times already in less than three years and will surely repeat it again. It’s the kind of book that actually demands such a thing.

Untold Night and Day, image of Seoul, Korea.
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Sleeping in the City of Abandoned Dreams

October 3, 2025

Sleeping in the City of Abandoned Dreams is a short novel I recently wrote. It took me exactly 10 days to go from “blank page” to “edited, ready for publishing”. Of course this is unusual even by my standards (writing short, abstract, poetic fiction).

What made this possible – and at the same time very easy and pleasurable – was a concordance between methodology and subject matter.

Sleeping in the City of Abandoned Dreams is probably the most free-styling, artistic kind of work I’ve written that still counts as prose. I certainly can detect an evolution in my literary production, with novels like The Storytelling Cat being far more abstract, artistic, poetic than my earlier works.

So where does Sleeping in the City of Abandoned Dreams sit in all that? Let me explain…

Sleeping in the City of Abandoned Dreams. Book cover art.
Cover art by yours truly. The color palette is not accidental, by the way…
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The Immigrant Trilogy

July 31, 2025

The Immigrant Trilogy comprises three previously published works: To Cross an Ocean: Apognosis, The Other Side of Dreams, and The Storytelling Cat. These three works can be read independently – indeed, the order doesn’t matter – but only by reading all three of them can a reader appreciate the full scope of the themes involved. In that sense, I view The Immigrant Trilogy not as a collection of three novels but a three-volume novel.

The title gives an indication of the major connective element: immigration. However, although the plots and characters of this work do focus on actual immigration – being a stranger in a strange land – the concept must be examined from a more general, more metaphorical perspective.

We are all immigrants in some aspects of our lives. Some of us might be non-binary, others might be disabled. Perhaps we are single parents, or we try to cope with some mental health challenge. The bottom line is, one way or another we are “misfits”; we (feel that we) don’t belong.

The Immigrant Trilogy, book cover
If you happen to be familiar with my favorite art themes, you’ll recognize the cover of The Immigrant Trilogy as something I’ve painted myself
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