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Narrative Focalization: Things Authors Need to Know

January 31, 2018

Some time ago I talked about the overwhelming number of writers that have flooded the modern publishing market. I focused on the inevitable consequence of having a large number of substandard works out there, a fact that affects audiences’ idea of indie authors in general. But make no mistake: a novel can be substandard regardless of whether it’s published traditionally or independently. Both by reading and by participating in online literature discussions, I have discovered that a significant number of authors don’t have a clear idea of narrative focalization. Perhaps they semi-instinctively still use it, but if you’re an author wanting to be in total control of your book, then keep reading!

The first thing we need to do is offer some definitions. We need to know what it is we’re talking about. Indeed, many of the misunderstandings and ignorance surrounding the topic are a result of confusion. I have often seen people confusing narrative focalization with perspective or point of view. So, let’s try to clarify the matter.

narrative focalization
“I smell the sea” is different from “She smells the sea”, which is different from “There is a briny scent floating around”
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Linear Narrative Progression? No, Thanks

January 23, 2018

Narrative Progression: From Point A to Point B

One of the biggest markers of inexperienced genre fiction writers is the way their narratives progress. In genre fiction such as romance fiction, detective fiction, etc. events often occur in a very linear way. A leads to B which leads to C; one second, then one second, then one second. A narrative progression where events are described in the order they have occurred is called a linear narrative progression and, as you realize, it is the simplest way to narrate an event. Let’s see a quick example, which we can later adapt and reuse.

Last weekend I went to New York and met a guy named John. Today I saw John walking down the street here, in Boston. We agreed to go fishing next Sunday

It’s a clear, natural-looking example. You wouldn’t think that there’s anything wrong with producing an entire narrative like that, right? Only, there is, which is the motivation behind today’s article. I will first show you why it’s a bad idea to structure your book following a linear narrative progression, then I will show you how to restructure it in a nonlinear narrative progression.

linear narrative progression
In a narrative, unlike reality, time doesn’t have to progress in a linear fashion
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Literature Computer Analysis: An Example

January 15, 2018

Before the development (let alone the use) of a tool, first comes the identification of its need; its scope, in other words. As an academic with research interests revolving around the Gothic and science fiction, and with some rudimentary programming experience, I had a crazy idea. Most great ideas come as a result of madness and boredom, I suppose, and my idea was one just like that. What if, I thought, I made a simple program that could detect certain patterns in Gothic and science fiction? In other words, what if I made a literature computer analysis program that could help me create a taxonomy of the texts I’m researching?

literature computer analysis
Can a computer program help with literary analysis? (Yes!)
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