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How to Write a Short Story: Examples of Structure and Intent

November 15, 2021

A short story is not just “a little novel”. In other words, short stories – despite their misleading name – are not about length. Rather, compared to novels, short stories are a different format altogether, with unique requirements and different dynamics. The trick in understanding how to write a short story lies precisely in comprehending these requirements and dynamics.

As I often say, fiction is not about telling a story but about instigating an emotional response. It’s about affect, not plot. Short stories aren’t different regarding that. However, what differs is the way there.

To put it simply, a novel with a word count of 80,000 words or more has a certain flexibility in its expansion. In other words, although narrative pace and the overall balance are something to keep an eye on, a novel is more forgiving in terms of digressions.

This is certainly not the case with a short story.

As a result, the way to learning how to write a short story that “delivers” passes through structure and the associated intent. We’ll look at these in more detail in this post, together with examples that can show you how to pack the optimal power in your short stories.

how to write a short story
“How to write a short story?” The answer is, by focusing on structure and intent, though in an affect-based (rather than plot-based) way
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Text to Art: Turn Your Novel into an Art Design

October 25, 2021

Translating texts into other forms of art is something that fascinates me. Especially when some sort of semi-random, computer-mediated process is involved. There’s something idealistic about it, having to do with aesthetics, beauty, and the meaning behind art which, remember, is holistic. And so, Text to Art is a little program I put together to explore this very thing: How turning a text – a poem, a novel, or a simple sentence – into a visual design would look like.

text to art
Text to Art is a program that generates unique visual designs from a given text
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Feminism in Goblin Market: the Economics of the Victorian Woman

October 11, 2021

I’ve been going through a… Goblin Market phase recently, as you might recall. So, I decided to write a brief, accessible post on feminism in Goblin Market. Christina Rossetti’s poem is rich in symbolism, and an interpretation related to feminism and economics couldn’t be absent.

Academic criticism has explored feminism in Goblin Market – a lot – so I’m certainly not breaking any new ground here. After all, this post is based on my BA thesis and therefore isn’t exceptionally deep or analytic to begin with. However, I still think there are intriguing viewpoints in it, with important repercussions for our times, too.

Is feminism in Goblin Market about sex? Is it about control? It’s about these and more. Nonetheless, my focus is mostly on economic independence: how the Victorian woman (and, by association any woman) is as free as her ability to provide for herself and set the rules of the (economic) game. The lessons from the Victorian era are still applicable today, and feminism in Goblin Market is, I’d argue, pertinent to many of our contemporary discussions.

feminism in goblin market
Feminism in Goblin Market (also) revolves around aspects of creating and controlling consumer desire, within a framework of an unjust, gender-biased market.
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