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Book Worming Party: When Literature Meets Drawing

February 20, 2020

art, home for fiction, javascript, literature, programming

For the past couple of months I’ve been working on a rather ambitious project. Ambition is often misunderstood, but the way I choose to approach it, it’s about doing something “just because”. It was in this “fuck it” framework that Book Worming Party, my latest programming project came to being.

Book Worming Party – even the name should tell you how mad this project is – combines three of my interests: literature, visuality, and programming. What can I say, I’m a talented man (and above all, modest).

Book Worming Party is a program (written mostly in JavaScript) that takes a work of fiction and, based on calculations and interpretations it makes about its nature, turns it into semi-random visual art. It translates words into color, plot into shapes, genre into affect. There are no separate “kinds of art”; art is art.

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When Books Write Themselves: Perspectives on Creativity

February 13, 2020

Writing

book, creativity, literature, writing

The key to writing good literature is understanding subtlety and gradation. When it comes to good fiction and great books, things are rarely binary. In other words, you can’t answer some questions with a simple yes or no. And the question do books write themselves? is precisely such a question.

On the surface, the answer appears to be “no, you idiot, how could books write themselves? You need a person to write them.” That’s (self-evidently) true, but it’s not the whole truth.

Because, as we will see in today’s post, not only do books write themselves – in some way which we’ll analyze – but you shouldn’t interfere with the process, either.

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The Sublime in Literature: Meaning and Significance

January 20, 2020

Criticism

academia, ambiguity, experiencing, Gothic, literature, sublime

The sublime in literature (and art in general) is a fascinating but complex concept. The difficulty in comprehending its ins and outs lies squarely in the fluidity of its definition.

Just as the Gothic itself – with which the sublime is heavily associated – that eludes clear-cut definitions, the sublime is not all that clear to put in a box. In a way, the sublime in literature is a way of experiencing. Yet in another way, the sublime is no more than a ghostly reflection – and so, it’s not really prescribing but rather describing.

In simple terms, the sublime in literature is every instance where we reach a threshold of ambiguity. Whenever we (vicariously, through the protagonist) experience the fuzzy passage between reason and emotion, between fear and awe, or between puzzlement and understanding, the sublime is there.

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