Defamiliarization, as the word implies, is a process where something familiar is no longer perceived as such. Specifically in writing, defamiliarization in literature refers to a technique (a literary device, in a sense) where the writer offers familiar, common things in an odd, unorthodox way.
The purpose of defamiliarization is to cause the readers to question their perception of reality and, as a result, ultimately redefine it.
In a way, defamiliarization in literature is a destabilizing process. All such literary devices – see, for instance, my post on juxtaposition – enhance the readers’ perception of reality. Therefore, perhaps ironically, although defamiliarization causes you to initially question reality (the known and familiar), through this process it actually facilitates a much deeper and more comprehensive understanding of reality.
In this post we’ll take a closer (yet accessible) look at defamiliarization in literature, with examples and tips on how to use it properly – that is, packing as much symbolic meaning as possible in your text. Remember that literature is more than a sum of its parts, which means that a quality text should inspire more meanings than what its words allow.
