Have you ever noticed those ruthlessly competitive parents who live their own dreams through their children? Don’t you hate it when they approach 7-year-olds’ soccer practice like it’s the World Cup? It’s the same with art: Enjoying your art is the only way to truly become creatively good at it.
You might recall an old post of mine on whether writing skills can be taught. In it, I explained how hard work isn’t enough (and neither is talent, in case you’re wondering). What I didn’t say in that post (not explicitly, at least) was that enjoying your art is a crucial aspect of improving.
All those tiger moms who send their 3-year-olds to excruciating piano lessons or ballet – without even asking them if they like it – are a surefire way of creating technical gods and goddesses who have no goddamn clue what true art is.
Let’s see why enjoying your art is crucial – and how you can enjoy yours!
Enjoying your art is not just the best way of creating and performing it; it’s also the only way to improve where it matters(more…)
I recently had an interesting, eye-opening experience regarding the connection between confidence and creativity. I was watching a video of a drummer trying to play along to a song she hadn’t heard before. It was clear she was way outside her comfort zone. There was neither confidence not creativity in her playing.
Eventually she managed to get into the song and (judging by her expressions) have fun with it. After all, she is a professional drummer who, as I read, has played with some known artists in Quebec, Canada, and has appeared in several big shows.
Yet there is a difference between having played for “known artists in Quebec” (I can’t name anyone, but that’s just me) and, say, having played drums professionally for decades, touring with bands like Red Hot Chili Peppers and Megadeth. Respect to her and Quebec, but it’s simply not the same thing.
The drummer outside her comfort zone was Domino Santantonio who faced the challenge of the unknown on Drumeo, that has offered the same challenge to (among others) Chad Smith and Dirk Verbeuren, drummers for Red Hot Chili Peppers and Megadeth respectively. I will share the videos below, but as you might guess, their confidence was supremely evident. When you’ve played in huge stadiums next to musicians like Flea or Mustaine (with all their quirks), a little studio session for a YouTube channel can’t scare you.
The difference was so pronounced that it inspired me to write this post about the inseparable connection between confidence and creativity. Only someone truly comfortable with themselves can be creative.
The topic is more complex than what it might appear – not the least so because both confidence and creativity are peculiar concepts – so let’s try to unpack it.
I have some very rudimentary painting skills, but not artistic confidence. I can create something like this, which displays very low technical skill and even lower artistic one. Unsurprisingly, I would be far, far more confident creating an artistic instantiation of the same scene with words(more…)
A Trick of the Light is a short film by Brandt Ryan – based on a short story by Pinckney Benedict that first appeared in the Zootrope literary magazine. If the name is familiar, you’ve also read my review of his play Restitution. If the name of the film itself rings a bell, perhaps you’ve noticed it on my Bandcamp page. You see – and this should also serve as a disclaimer of sorts, though it hasn’t affected this review – I’ve composed the score for the film. I’ve also had many interesting conversations with Brandt about art, creativity, films, and the Gothic.
Speaking of, you might have noticed “Gothic” is one of the tags accompanying this post. Is A Trick of the Light a Gothic film? There isn’t a yes/no answer to this (which, funnily enough, would be a heck of a Gothic marker if you asked me as a Gothic fiction specialist), but I’ll come back with the long answer in a moment.
You might also recall there is (at the time I’m writing this) one more film review on Home for Fiction: Robert Eggers’s The Lighthouse, which is as Gothic as it can be. Plenty of coincidences – another Gothic markerPerhaps I’m being a bit hasty calling coincidences a Gothic marker, but there is an undeniable connection between the Gothic and what Bakhtin called “adventuristic time”. If you’re interested in the topic, also see my post on coincidences in Frankenstein.! Let’s take a closer look to see why A Trick of the Light is a genuinely intriguing, affectively impactful short film.
Album art of the A Trick of the Light soundtrack(more…)
