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Ethics or Morality: A Crucial Difference

October 2, 2023

Let’s get this out of the way: There is no “god-given” definition of either ethics or morality (there’s a meta- element of irony here, as you can hopefully perceive). Most people might even use them interchangeably to refer to the same thing. However, there is a crucial difference between the two.

In most definitions, morality refers to a person’s moral convictions, what they consider right or wrong. Ethics, on the other hand, usually refers to systems of convictions; agreed convictions, in a way. For example, we might refer to “journalistic ethics”, that is, a commonly agreed set of practices and behavior that journalists should adhere to.

The proverbial plot thickens – there are never simple answers – because one’s personal convictions, their morality, is always a result of external factors; our environment, our culture, our upbringing. Perhaps some would like to suggest that our DNA pushes us in certain directions, but that, too, would be a result of external factors: We might be born good/evil (a huge oversimplification), but the externality remains, as our DNA is a result of our ancestors.

Ultimately, the debate “ethics or morality” is important – after all, that’s the whole point of this post, right? – because it refers to another crucial difference that, although contained in the one between personal/collective convictions, is easier to miss.

That difference is between knowledge and behavior.

ethics or morality
For Plato, as for most ancient Greek philosophers, morality was related to eudaimonia (ευδαιμονία), or human well-being.
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Three Kinds of Imagination and How To Use Them in Your Writing

September 18, 2023

Are there “kinds of imagination”? It would seem all imagination is, if not the same, at least “good”. “Imagination is all I want from you” an 80s song goes – yes, I’m getting old – and with only minimal… imagination, we can totally picture a writer looking in the mirror and whispering these magic words. 

After all, it would seem impossible to write without imagination, since it refers to our ability to form ideas, have thoughts, or even experience emotions that, though perhaps inspired by our environment, are not directly available to our senses.

For example, when you see a red car brightly reflecting the afternoon sunshine and it triggers a memory from your childhood, that’s imagination. Indeed, if you can “see” a red car reflecting the sun while you’re reading these lines, that’s imagination too!

However, imagination is a tricky concept. Because of its abstract nature, imagination can come in various forms – as perhaps you noticed already in the few paragraphs above. For instance, it takes one kind of imagination to watch a film and then write a review about it, and entirely another to create a modern art installation.

The key issue, then, is to be able to recognize these forms imagination takes, and take advantage of them according to the needs of our writing. As I will show you in this post, we could think of three kinds of imagination – creative, productive, and reproductive – each with its own patterns and applications.

kinds of imagination; red car
This image “doesn’t exist” in that it’s not a real photo; it’s made with Bing Image Creator. However, it also makes me imagine a multitude of things, because it’s anchored in childhood images – which also reveals the power of AI for writers, in ways they don’t quite realize!
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Are Narrative Worlds Real? Reflections on Metaphysics

May 22, 2023

As a child, whenever I got emotionally affected watching a film or reading a story, my folks would try to console me saying “It’s not real, don’t worry”. That didn’t help at all. To me, narrative worlds were real, more real than reality itself. After all, fiction and reality are not antonyms.

When we talk about the reality of imaginary worlds – narrative worlds, in our case – the discussion seems moot. “Of course narrative worlds are not real”, any random observer would likely utter with – not misplaced – confidence.

After all, when you follow the characters of a video game, you can always save your progress and restore if something goes wrong. Similarly, when you read about a lonely female programmer plagued by indecision, her life never leaves the confines of the novel. You can’t meet that woman, her actions don’t dictate yours and can’t change the world.

Or… can they?

narrative worlds real
Are photos real? Even if they are made “traditionally”, using light passing through a lens (rather than being e.g. a computer render), where do we draw the line between “too much post-production” blurring (no pun intended) the lines between being real and being imaginary? Establishing the reality of narrative worlds faces similar puzzles
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