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poetry

Coincidence and Fate (excerpt from Self Versus Self)

November 14, 2018

Some time ago, I told you about my unpublished Self Versus Self project. It is a literary project comprised of a literary-fiction novel and a narrative poem. It will remain unpublished, at least for the foreseeable future, due to its experimental nature. Its central theme revolves around coincidence and fate, and whether one can avoid them, adapt to them, or manipulate them.

coincidence and fate

Parenthetically, those interested in a more academic treatise of the issue, can find a short excerpt in my article on Frankenstein.

In today’s article, I’m using an excerpt from the narrative poem to talk a bit about fate and coincidence. Interestingly enough, the story is true and indeed occurred to my own late grandfather, exactly as it is portrayed.

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A JavaScript Iambic Pentameter Generator

June 13, 2018

First of all, before I explain why I made an iambic pentameter generator, we need to know what an iambic pentameter is.

Chances are, if you found this article you already know, so I’ll be brief. An iambic pentameter is a line of poetry consisting of five “feet”, or groups of syllables. “Penta” in Greek means “five”, so pentameter means that the line consists of five groups of syllables. The iamb refers to a pair of syllables where the first is unstressed and the second is stressed. For instance, the word desPAIR (capitals indicate the emphasis). Hence, an iambic pentameter line consists of ten syllables, of which the 2nd, 4th, 6th, 8th, and 10th are stressedTechnically, this is not necessary. What should occur is that the rest of the syllables (1st, 3rd, 5th, 7th, 9th) are not  stressed..

Here’s four lines of iambic pentameter:

And you, my sinews, grow not instant old
But bear me swiftly up. Remember thee?
Ay, thou poor ghost, whiles memory holds a seat
In this distracted globe. Remember thee?
(Hamlet, I.v.94–97)

And now, without further delay, let’s get to the why’s and how’s of the iambic pentameter generator.

iambic pentameter generator in JavaScript
The Bard would approve!
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The Future of Poetry (and why It Is Bleak)

May 13, 2018

Matthew Arnold has made a famous, as-of-yet-unfulfilled prediction regarding the future of poetry.

The future of poetry is immense, because in poetry, where it is worthy of its high destinies, our race, as time goes on, will find an ever surer and surer stay … Our religion has materialised itself in the fact, in the supposed fact; it has attached its emotion to the fact, and now the fact is failing it. But for poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact.

What Matthew Arnold failed to take into consideration was the paralyzing mediocrity that has overwhelmed this world. Not only has poetry not eclipsed religion (perhaps the term ‘dogma’ is easier to grasp in this context), but it has indeed become virtually extinct itself. The future of poetry looks grim, because the future of humanity looks grim itself.

the future of poetry
The future of poetry is bleak in a world of mediocrity
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