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Review of The Memory Police, by Yōko Ogawa

September 13, 2021

book, fiction, Japan, literature, review

The Memory Police, by Yōko Ogawa, is basically a dystopian novel about a Japanese island where things “disappear” on an apparently random basis, and people must forget about them. If they can’t, no problem; Memory Police to the rescue. They make sure people forget the things that “disappeared” by forcing them to destroy these things.

All that sounds very dystopian, and it certainly is. There’s an undeniable aura of 1984 floating in Ogawa’s novel, but it’s much more subtle than that. That is good news, of course, but at times it also becomes problematic, for reasons that are both interesting and educational.

In other words, if you’re interested in dystopian narratives, you should pay close attention. Ogawa’s novel is an excellent example of how genre crossover can be problematic.

memory police — Secrecy, irrationality, submission. These and other elements of dystopian fiction are present in *The Memory Police*

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Review of Restitution by Brandt Ryan

June 21, 2021

Criticism

affect, drama, play, restraint, review, theater

0 comments

Disclaimer: I read the play Restitution, by Brandt Ryan, in a professional capacity. In other words, I received remuneration to do so in order to offer feedback. This has not affected this review, which is entirely independent, my own initiative, and a result of my having found the text impressive.

Restitution, by Brandt Ryan, is a one-act play. It takes place on the platform of a New York subway station, late at night, in the summer of 1990. The title of the play alludes to restitution payments claimed by Jewish survivors of World War II, and is also a thematic element in the story.

The play involves two young grifters, Figgy and Margot, who are anxiously awaiting for someone to arrive in order for their swindling plan to take form. While waiting for the arrival of this person – a street performer being the only other presence on the platform – they discuss the details of their con, reflecting on ethics as well as practical dangers involved.

That’s basically all you need to know before entering the world of the play. Because the characters take over immediately, creating an engaging, dynamic story.

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Review of Invisible Cities, by Italo Calvino

May 31, 2021

Book Review, Criticism

absurd, book, fiction, imagination, literature, review

1 comments

So, what should a review of Invisible Cities, by Italo Calvino be like? One thing’s for certain: It can’t be like any other review, because the novel (if one may still call it that) is like no other, either.

If that way of describing it sounds familiar, you’ve likely read my review of Confessions of a Mask, by Yukio Mishima. In that review, too, I had real trouble placing the work in a certain framework. Invisible Cities defies characterization. It’s what art should really be like: Focusing on affect, foregoing plot.

With these in mind, it will likely be no surprise to hear that I loved Calvino’s book. But reviews aren’t about what we like, but about why we like them. And so, in this review of Invisible Cities my goal – as with everything else I review – is ultimately to show you what the book feels like, rather than what it is.

review of invisible cities — *Invisible Cities* is a book that defies categorization

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