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What Is Philosophical Suicide?

January 26, 2020

As a notion, suicide is riddled with ideological baggage. Forbidden by most religions and snubbed by societal norms, the concept of self-annihilation often stirs emotions. On a more subtle level, this ought to be the case for philosophical suicide.

Alas, it isn’t. Ironically enough, as we’ll see, the reasons are related (at least indirectly) to the very dogmatism informing physical suicide.

But what is philosophical suicide?

Very briefly, philosophical suicide is an essentially ad-hoc attempt to explain away the inconsistency between the human desire for existential purpose and the apparent lack of such a purpose.

The term is heavily related to the concept of the absurd as described by Albert Camus. Therefore, in order to define philosophical suicide (also described by Camus), we must first take a quick look at the absurd.

philosophical suicide
To face the absurd, Camus sees three options, one of which is philosophical suicide
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Gothic, Metal, and the Concept of the Unspeakable

November 27, 2019

First, a warning: This article is not about “Gothic metal” but about Gothic as a literary genre and metal as a music genre. In this post I explore their interconnection, with the concept of the unspeakable as a bridge.

In simpler terms, picture that there is something connecting, say, Bram Stoker’s Dracula to Jinjer’s “Pisces”. This something is what I refer to here as “the unspeakable”.

Two disclaimers before we begin:

  • the unspeakable is only one possible link between Gothic and metal. There can be several ways to connect them, but I choose the unspeakable as a neat “umbrella term”, in a way.
  • I’m not breaking any new ground here. Literary criticism has analyzed these concepts extensively. At best, I might be just popularizing these analyses.

And with these out of the way, let’s see how Gothic and metal might be siblings – and, more importantly, why we should care.

Gothic and metal
Freddy Lim, of Chthonic – a Taiwanese band… banned in China, thanks to their relentless political commentary. Good luck finding such lyrics in gum-chewing pop.
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Should Art Be Free? On Rights and Motivation

November 16, 2019

Visiting Home for Fiction today and tomorrow, you might see a banner advertising that my book The Other Side of Dreams is free on Amazon for a couple of days. What you perhaps didn’t know until now is that all my art is in essence free: All you have to do to get a free digital copy of any of my books is to ask for it*. Should art be free? This will be today’s topic.

* It’s even easier nowadays: Simply visit this page on the main Home for Fiction site, for an immediate free download! For some of the reasons, partly contradicting some of what you’ll find below, take a look at my explanation why I decided to offer my books for a free download.

The dialectics balance between the “rights” of the author and the “rights” of the public. We’ll have to define both concepts in order to make sense of this.

In a way, the answer to the question “Should art be free?” is a matter of motivation and expectations: What is the motivation of the audience to implicitly demand free art, and what are the expectations of the author?

should art be free
Should art be free? It depends on the artist, the art, and the audience
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