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The Meaning of Dracula’s Castle

October 20, 2019

Note: the following article on the meaning of Dracula’s castle is a modified excerpt from my article “Philosophical Idealism and Vision in Bram Stoker’s Dracula: Photographs, Sight, and Remote Viewing as Tools of Reality Rendering”. Word and Image: Theoretical and Methodological Approaches. Tampere, Finland: Tampere University Press, 2014.

Feel free to also take a look at my other academic publications.

The importance and meaning of Dracula’s castle in the novel becomes evident for a variety of reasons. In general temporal terms, the castle of Dracula serves as a generic reminder and connects with the Gothic tradition.

Examining the text itself, the novel essentially begins and ends with the castle. In fact, the novel ends in the castle twice: the first time in Mina’s last journal entry, describing the seeming destruction of Count Dracula in his home ground (D, 401) and the second in Jonathan Harker’s note, revealing their pilgrimage of sorts to the very same place seven years later (D, 402).

meaning Dracula's castle
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Visuality and Memories: A Way of Seeing

January 27, 2019

The term “visuality” might at first appear obscure. We define visuality as “the quality or state of being visible or visual”. This definition might actually make you wonder, why didn’t I simply use the term “visibility”?

However, I like what “visuality” conveys. It’s not merely the quality or state of being visible/visual, as the dictionaries inform us. Rather, I see visuality as a philosophy of seeing.

That’s an impossible weight for a humble word to carry, and doubly so because this is simply the way I choose to see the word. Guess what, however? That’s precisely what I’ll be talking about in this article: the subjective rendering of reality through visual representation.

visuality and memory
The visuality of this scene is not merely what is visible in it, but what I render (=see and remember)
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