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Book Review

Review of I Fear My Pain Interests You by Stephanie LaCava

July 22, 2024

I picked I Fear My Pain Interests You, by Stephanie LaCava, looking for a literary-fiction story with strong psychological undertones. What I got instead was “the next Great American Novel“, but let me be upfront: I mean this in the worst possible manner, using it entirely ironically.

Indeed, my motivation behind writing a review for this novel was very simple: I absolutely loathed it. This is the kind of pointless drivel you’d expect from 15-year-old edgelords thinking they’re writing avant-garde literature. I know, I used to be one.

Another fun fact: I almost gave up on the novel at the 90% mark, which would’ve been an amazing thing to do, but I sadly had to finish it since I’d decided to write this review.

Of course, that I hated I Fear My Pain Interests You is not very… interesting to you. But why I hated it might be, because it reveals a lot about how and why literature is written nowadays – in the US (see earlier note) and places copying the US.

i fear my pain interests you; image of woman screaming

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Review of The Sense of an Ending, by Julian Barnes

July 8, 2024

Book Review, Criticism

criticism, ending, literary fiction, narrative

I’ll say it right away: This review of The Sense of an Ending, by Julian Barnes, was inspired fully – believe it or not – by its… ending. Quite frankly, it’s so atrocious that it should be taught in literature classes as an example of what not to do.

But let’s take a step back.

It all began when, looking for something to read, I noticed this short novel and was encouraged by its blurb that promised an elliptical and ambiguous narrative (more of this in a moment) with clear literary-fiction vibes. I was far less encouraged by the fact that this book in particular and the author in general have received plenty of awards and praise. Quite frankly, I’m thoroughly suspicious of such things.

In any case, I thought to give it a shot, and the result was exceedingly peculiar, as you’ll discover in this review.

review of the sense of an ending, image of old man — Probably this is what the protagonist would look like: old, alone, bored and boring

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Review of The Glasgow Coma Scale

June 24, 2024

Book Review, Criticism

affect, art, book, literary fiction, literature, metatextuality, plot, restraint, review, social masses

Whenever I go to the library, trying to find something to read, I often end up frustrated. Call me picky if you want. Yet as I’m going through the blurbs (nowadays even they are buried beneath the asinine, useless “INSTANT BESTSELLER!” tags), what I see is more and more authors overly enamored with plot. I decided to write this review of The Glasgow Coma Scale by Neil D.A. Stewart before I’d read ten pages of it.

The reason?

Because it at least didn’t try to reinvent the wheel. The blurb didn’t promise some sort of epic saga spanning three continents and six decades, or some sort of in-between state between fantasy and reality.

As it turned out, it was actually a damn well-written book to boot. Truly, a masterclass on what quality literature should be.

review of Glasgow coma scale. photo of street graffiti. — Much of the book is about *juxtaposition*, the interplay between antithetical qualities. Yet at the same time, the title of the book is not only a reference to the location where the events take place – Glasgow, Scotland – but also the eponymous test assessing brain damage and response to stimuli. In a novel about giving up, this becomes a highly relevant metaphor

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