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What Is Fiction? The Problem of Defining Reality

April 8, 2024

I love deceptively simple questions. “What is fiction?” definitely counts because, on the surface, it appears childishly obvious. One might say “Fiction is writing stories that aren’t real”, or something of the sort. Probably you couldn’t even entirely disagree with that. And yet, this is only the tip of the proverbial iceberg.

Obviously enough, if we want to talk about fiction and reality (aren’t they, after all, supposed to be antonyms?) there are special cases, too. “What is fiction?” seems to have a different answer if we offered as an example fantasy fiction, and yet a different one if we talked about, say, historical fiction. And what about memoirs? Not to mention the crazy notion (of yours truly) that all books are autobiographical.

The problem of comprehensively answering the question “What is fiction?” boils down to two main issues:

  • Who is the author of a work?
  • What is reality?

I told you, I love deceptively simple questions. “The author of a work is the person who wrote it, you dummy!” I hear someone telling me. The same person might even roll their eyes hearing me asking what is reality.

But, as you will see in this post, neither of these questions has a clear answer. And this complicates our attempt to answer “what is fiction?” as well. Though worry not, I’ll face the challenge!

“What is fiction?” is not a question that can be answered with recourse to whether it depicts reality or not, but whether it’s predicated on affect
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The Place of Style in Thinking about Literature

October 16, 2023

Today’s post – “The Place of Style in Thinking about Literature” – is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. You can find him on LinkedIn and here is his own blog.

Art is contact with the inhuman that dwells in all of us: be it the animalistic and abject subhuman – as in Lautréamont, Clive Barker, Artaud, Pierre Guyotat – or the angelic and sanctified superhuman – as in the biblical psalmist, Rōdhakī, Hāfez or Petrarch. Style, therefore, is not a form of individual expression, externalization of the soul, exposition of a supposed interior, but the making up of a just form (fair, as in Law, fit, as in Fashion). This form is just because it is homologous to the world, it follows the same logic as the world (homo-logos): as obscure, dense and impenetrable as the matter of the day.

Style, therefore, is the way to make things – ideas, beings, moments – last in time, which means that language also lasts to allow this lasting. It thus opens up the chance for a reader to place their own time transversely in the timed chronometer of work and routine.

style and thinking about literature
Style, thinking, literature. Art. Language.
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Why I Hate Victorian Literature

September 11, 2023

I hate Victorian Literature. Actually, allow me to rephrase this: I hate Victorian literature with a passion. This isn’t very useful to you, but why I hate it can be. And the connection between why I think Victorian literature sucks and our present time, even more so.

I’ve been exposed to enough Victorian literature during my university years to have developed a pretty solid opinion of it. In other words, I’ve read enough abandoned enough texts of such authors as Charles Dickens, Wilkie Collins, George Eliot, Elizabeth Gaskell, to know I hate them and the rest of their lot.

This is a subjective opinion, to be sure, but I think Victorian literature was a disaster for art. The repercussions are still with us ever since, and they boil down to one critical element: making money.

hate Victorian literature
I hate Victorian literature, but I also recognize it’s responsible for much of our contemporary culture – from aesthetics such as steampunk (notice the pink Gothic element) to much deeper theoretical frameworks in areas such as the economy or temporality
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