Nimona is an animated film based on the graphic novel by ND Stevenson. It features “a girl” (more of this in a while) who can shape-shift into any form, from whales to gorillas and from little boys to emulating other people. As I explore in this post, shape-shifting in Nimona is a metaphor that reveals something about the role of the subconscious in the creative process.
You see, there are some metadata you need to know – if you aren’t familiar with ND Stevenson already: The first one is that he identifies as transmasculine/bigender. The second, that Stevenson was apparently unaware about his gender identity before Nimona:
There are times in my life where I feel like everybody knew what my deal was before I did, and this is one of them. But it would be years before I started to see that in myself. I guess I planted the seeds without realizing.
Time
Is that really possible? Can an author create such strong symbolism – as shape-shifting is for gender identity – without consciously realizing it? We know that books often write themselves, but as we’ll see in this post, symbolism is even more powerful, its focus more sharp, when it comes to subconscious meanings.
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