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What Donald Duck Taught Me About Fiction

November 7, 2022

I might have mentioned it before: I owe a lot of whatever I know about writing fiction to… Donald Duck. Reading Donald Duck taught me a lot about reading, writing, and writing fiction. Indeed, I learned to read and write before I went to school, thanks to Donald Duck.

My folks got bored of reading stories to me, so I had to figure it out myself. Then later, when I was maybe seven (memory is very thin ice when it comes to factual accuracy), I wrote my first fiction thanks to Donald Duck. You’ve likely read the story on the main Home for Fiction site:

One day, when I was perhaps seven years old, I read a Donald Duck mystery which was divided into two parts. The first one ended in a cliffhanger, and I sadly had no access to the second part. That was seriously devastating. I solved the problem the only way I could: I took pen and paper and wrote the ending the way I imagined it to be. Those three paragraphs were my first work of fiction.

Years passed. I’ve written a lot, I’ve read a lot, I’ve spent twelve years at the university studying and teaching literature, and overall I have a professional, high-level engagement with fiction.

Imagine my surprise when I realized Donald Duck had more to teach me about literature!

Donald Duck taught me about fiction
Donald Duck has taught me a lot about fiction. And there’s more to learn, still!
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Authors Talk: Alicia Butcher Ehrhardt

October 31, 2022

Another “Authors Talk” post. You can think of it as an author interview and, indeed, that is the name of the blog category. However, I prefer to see it as a friendly chat between fellow authors. Today I’m having this virtual discussion with Alicia Butcher Ehrhardt, author of the Pride’s Children Series. A list of useful links to Alicia’s work can be found at the end of this post.

Alicia Butcher Ehrhardt
The two currently available novels of the Pride’s Children Series, by Alicia Butcher Ehrhardt
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Review of Boredom by Alberto Moravia

October 24, 2022

The original title of Alberto Moravia’s novel is La Noia, which means “Boredom”. For some unfathomable reason, there are many English translations referring to the book as The Empty Canvas. In this review of Boredom, self-evidently, I stick to the more direct translation of the title.

Alberto Moravia was an Italian author who produced plenty of interesting texts in the decades right after World War II. He did write (and publish) earlier, too, but his most intriguing texts came after the war. Boredom is certainly one of them.

If I had to pick just one word to describe it, it would be… No, not “boredom”. In Moravia’s novel, as his protagonist explicitly clarifies, boredom isn’t what you think it is. Perhaps the word I’d pick, the one arguably coming closer to the protagonist’s predicament, is absurdity.

review of boredom
This review of Boredom, by Alberto Moravia, focuses on the way the Italian author portrays aspects of existentialist self-delusion.
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