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The Industrialization of the Arts: Meaning in a Capitalist Framework

November 1, 2021

art, capitalism, guest post, ignorance, Igor Livramento, society

Today’s post – “The Industrialization of the Arts: Meaning in a Capitalist Framework” – is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. Check out his papers on Academia.edu, his music on Bandcamp, and his personal musings on his blog – in Portuguese, Spanish/Castilian, and English. You can also find him on LinkedIn.

The lack of exploration of style, and the absence of style development strikes me as a trait of the industrialization of the arts. The artist no longer has to make poetry, no longer has to open up worlds to be experienced in all their familiarity or strangeness; now the artist must only provoke intense subjective experiences one after another.

It is an impoverishment of art to the level of killing it and reducing it to the same criteria as plain entertainment. I call it the aestheticization of life. The whole life has been made the object of aesthetics.

industrialization of arts — The industrialization of the arts involves art-as-fetish

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Text to Art: Turn Your Novel into an Art Design

October 25, 2021

Literature, Programming

art, creativity, literature, programming

Translating texts into other forms of art is something that fascinates me. Especially when some sort of semi-random, computer-mediated process is involved. There’s something idealistic about it, having to do with aesthetics, beauty, and the meaning behind art which, remember, is holistic. And so, Text to Art is a little program I put together to explore this very thing: How turning a text – a poem, a novel, or a simple sentence – into a visual design would look like.

text to art — Text to Art is a program that generates unique visual designs from a given text

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The Problematic Allure of Social Media Aesthetics

October 18, 2021

Society

aesthetics, Binati Sheth, guest post, philosophy, social media, society

Today’s post “The Problematic Allure of Social Media Aesthetics” is authored by Binati Sheth. She’s a writer, a gardener, and an amateur artist. Check out her blogs and essays. You can find her living her writerly life on LinkedIn, YouTube, and Instagram.

When do you want to live? The past? The future? The present? If I were to give you a choice right now, what would you choose? Ideally, we want everyone to say the present. “I want to live in the present” should be the healthy choice. Sadly though, many people on social media are choosing not to. Enter, social media aesthetics.

Aesthetics is classified as a branch of philosophy (of beautiful things). These things could be natural, artificial, or hybrid. We all love beautiful things, and we all have unique definitions of beauty. Social media aesthetics are no different. A social media user creates or takes photos with a particular aesthetic framework in mind, to establish a brand identity, tone, and personality. It all sounds like harmless fun.

But, as they often do, humans end up ruining things.

During the pandemic, cottagecore, dark academia, and Y2K aesthetics trended globally. It began as a love for warm colors, rustic life, and a fondness for knowledge and nostalgia. I personally dabbled in dark academia while turning a blind eye to some of its problematic aspects. I wrote Victorian era letters to my pen pals while spinning a pirouette around all the oppression, instead focusing only on the opulence. As I was not alone in doing this, I noticed the problematic allure of chasing aesthetics. There’s an incredibly literal problem with aesthetics – it is not about impact; it is about beauty.

social media aesthetics — Social media aesthetics – such as cottagecore, dark academia, and Y2K aesthetics – can be alluring, but also very problematic

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