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Post-Autonomous Fiction: Connecting Realities and Fictions

June 23, 2020

Today’s article on post-autonomous fiction is a guest post by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. Check out his papers on Academia.edu, his music on Bandcamp, and his personal musings on his blog – in Portuguese, Spanish/Castilian, and English.

Fiction isn’t the way it used to be, claims Argentinian literary critic Josefina Ludmer on Post-autonomous fiction. But what does this doctor honoris causa mean? What is this autonomy we’ve arrived after?

Understanding autonomy is, unsurprisingly, crucial in understanding post-autonomy and post-autonomous fiction. Which, as we will see, is revealing in terms of understanding the connection between reality and fiction.

post-autonomous fiction
Understanding post-autonomous fiction is crucial in understanding the connection between fiction and reality
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Fiction Complexity Index: Calculate Your Novel’s Genre Positioning

June 17, 2020

Romance novels aren’t as complex as literary fiction. Similarly, historical fiction is more complex than, say, young-adult fantasy. I’ve been thinking, we need a Fiction Complexity Index. Moreover, we need a Fiction Complexity Index by genre; a number that can give us a rough estimate of whether our novel is “about right” in terms of complexity.

And so, I decided to make one!

The good news is, this little Fiction Complexity Index is something you, too can benefit from. Because I decided to code it in a way that allows anyone to upload their novel (as a .txt file) and immediately see the results.

Fiction complexity index
A Fiction Complexity Index can help us see whether a text is suitable for the intended genre
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Write Drunk, Edit Sober: Fiction Editing Tips and Tricks

May 24, 2020

I hate editing my fiction. I hate everything about it; the way it sucks life out of a text, the way it’s a clinical, passionless process. But you gotta do what you gotta do. In my long, sometimes painful writing career, I’ve learned a thing or two about editing. Today, I’m sharing these fiction editing tips and tricks that will hopefully spare you some frustration.

As you might remember from earlier posts, the phrase “write drunk, edit sober” is attributed to Ernest Hemingway. It’s quite probable that Hemingway never said such a thing, but that’s irrelevant. The quote is memorable, and its advice solid – though there is a twist in the plot, as we will see. You do need to write with emotion (“drunk”) and you do need to edit without it (“sober”).

Fiction editing is a diverse process, and there are more than one right ways to do it. I certainly don’t claim that my fiction editing tips are the best for you, let alone the only ones.

I’m only sharing these fiction editing tips – perhaps one day I’ll share my nonfiction editing tips, too – to inspire you and give you a head start. Take what you can use, discard the rest – there’s a meta-editing tip there, if you’re perceptive 😉

fiction editing tips
“Write drunk, edit sober” can be seen as the first of my fiction editing tips. In other words, you need to write with passion, but be as objective as possible during the editing process
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