Academic knowledge that doesn’t attempt to create something new isn’t worth a damn. So, to put my own academic expertise to good use, I coin the term Pink Gothic to refer to the aesthetics of The Owl House – particularly, how “Gothic pinkness” assigns a cathartic quality to these aesthetics.
If you already feel a bit overwhelmed – “too many unknown words!” – worry not. I plan to make this post accessible and interesting. So here’s a simpler way of expressing the same thing as above:
I decided to write a post where, inventing the term “Pink Gothic”, I explore how colors and other visual elements in a narrative are associated with the resolution of fears and anxieties – typically brought to the surface by the very same narrative. In this exploration, I use the animated fantasy series The Owl House as an example.
Indeed, it was the aesthetics of The Owl House that inspired me to reflect on this matter. It’s likely (if not highly likely for my usual readers) that you’re not familiar with The Owl House. Again, worry not. I will offer plenty of examples along the way.
