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The Collapse of Criteria and the Prostitution of Art

March 4, 2024

art, creativity, ignorance, literature, mediocrity, social masses, social media, society, writing

In an interview in 1991 (I will share the relevant excerpt translated/transcribed in this post), the Greek-French philosopher Cornelius Castoriadis pointed out a sobering fact: We live in an era characterized by the collapse of criteria and the prostitution of art.

That is to say, Castoriadis argued, we live in an era with no criteria by which to gauge art. As a result, art prostitutes itself and loses its true meaning. It becomes industrialized.

There are two important elements in this very short excerpt I will discuss in this post:

Castoriadis naturally spoke before the internet and – especially – social media. I wonder what he would think about them.
Importantly, Castoriadis argues that art should create its own criteria.

If art should create its own criteria, and we observe a collapse of criteria today, what does that tell us?

collapse of criteria. image of Acropolis — The Acropolis of Athens, Greece. Each era creates its own criteria. Parthenon still stands, 2500 years later

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The Storytelling Cat – or, OK, I Lied

February 19, 2024

Fiction

art, book, creativity, fiction, literature, novel, writing

Last December I said I’d likely never write another novel. And what did I start doing before a month had passed? Writing another novel. Never say never and all that. The story of how this novel, The Storytelling Cat, came to be would make for an interesting essay on creativity and art in itself.

Later in this post I’ll explain more about the creation process, together with info on how to get the novel – a free download is of course available – but for now there’s something intriguing you should know: This book is unlike any other I’ve written; there’s a lot of peculiarity involved.

That the protagonist is a cat with human knowledge is the least odd thing about this book.

The storytelling cat book cover — The cover of *The Storytelling Cat* is one of my favorites (of my own books, that is), though I’m not objective. You see, I painted it myself!

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Shape-shifting in Nimona: Metaphor and the Subconscious

February 12, 2024

Fiction, Writing

creativity, criticism, fiction, imagination, LGBT, social masses, society, symbolism, writing

Nimona is an animated film based on the graphic novel by ND Stevenson. It features “a girl” (more of this in a while) who can shape-shift into any form, from whales to gorillas and from little boys to emulating other people. As I explore in this post, shape-shifting in Nimona is a metaphor that reveals something about the role of the subconscious in the creative process.

You see, there are some metadata you need to know – if you aren’t familiar with ND Stevenson already: The first one is that he identifies as transmasculine/bigender. The second, that Stevenson was apparently unaware about his gender identity before Nimona:

There are times in my life where I feel like everybody knew what my deal was before I did, and this is one of them. But it would be years before I started to see that in myself. I guess I planted the seeds without realizing.
Time

Is that really possible? Can an author create such strong symbolism – as shape-shifting is for gender identity – without consciously realizing it? We know that books often write themselves, but as we’ll see in this post, symbolism is even more powerful, its focus more sharp, when it comes to subconscious meanings.

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