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Society

Man Talk – a Short Story by a Reader

April 26, 2021

bigotry, feminism, guest post, LGBT, masculinity, society

Today’s post, “Man Talk”, is a short story (offering fictional truths, I would add) authored by a reader of Home for Fiction, who would like to remain anonymous (their identity is known to me). I would not normally accept a text for publication under these conditions, but the nature of the text and the importance of its message compel me to make an exception.

“I want you to prove you’re a man”; “claim you’re a man”; “if you don’t do this, you’re not macho”; “you look like a faggot”.

Since childhood, a man loses decades of his life proving his masculinity. With friends at school, inside the house, on the street with the girls, in adulthood with the women and the booze friends.

He is tested in every moment. At the club or at the barbecue. On the sidewalk or at the stadium. Being a man is not natural, it is a conditioning. An endless test of intellectual testosterone. An incessant ordeal that begins in infantile fights and does not end with death.

man talk — “Man Talk” is a short story (a fictional truth, in a sense) by an anonymous reader

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Tortured Artists: Is Suffering Necessary for a Fiction Writer?

April 12, 2021

Society, Writing

art, artist, mediocrity, society, suffering

Amy Winehouse, Kurt Cobain, Ernest Hemingway. Troubled souls, phenomenal artists. The idea of tortured artists is a sort of a trope or stereotype that wants great artists – writers, painters, musicians – to be constantly frustrated or even self-destructing. But is suffering necessary for a fiction writer? Can “normal” people be exceptional artists?

The truth is, I don’t know. That’s also one reason I’m phrasing the title of this post as a question mark. Based on purely historical precedence, we can draw the following two conclusions regarding tortured artists:

Not all tortured souls become exceptional artists.
Not all exceptional artists are tortured souls.

In other words, I’d say we can’t really reach any safe conclusion regarding tortured artists. What I believe we can do – and it’s the reason this post exists – is attempt to answer the more modest question: Can “normal” people be exceptional artists?

The lessons from this attempt can be very important indeed, because they can let us see the ingredients of a great fiction writer.

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When Modernity Fails: How Dracula Foretold the Great War

March 8, 2021

Criticism, Society

academia, capitalism, criticism, Dracula, Gothic, modernity, society, technology

Before I say another word, here’s a disclaimer. Yes, the subtitle is somewhat misleading, albeit catchy. Bram Stoker’s Dracula didn’t quite foretell the Great War, that is WW1, in the sense it didn’t intend to. What happens in Dracula – and the reason this post exists – is that Stoker, reflecting the cultural milieu of the late 19th century, subconsciously included in his magnum opus the reasons why modernity fails. These reasons partly overlap with the reasons behind the Great War.

Perhaps what is more important in all this is that the reasons don’t seem to be all that different today. More than a hundred years later, modernity fails us again. Crucially, modernity fails us for the same reasons. We’re dealing with somewhat altered dynamics, of course, yet the basic ingredients are the same.

We’ll begin by taking a brief look at the historical context of Dracula – the cultural milieu I referred to. Then we’ll see how Stoker’s novel explains why modernity fails, and how that relates to the Great War.

Like every self-respecting Gothic work, Dracula hides a complex nexus of meaning. Blood-sucking vampires only form the skin layer, but the heart – no pun intended – of the novel contains a multitude of allegories, many of which are not the result of conscious authorial work.

I imagine Mina Harker to look like that; calm and welcoming on the surface, but deep down ambiguous and fascinatingly unreliable. She’s also the embodiment of why modernity fails in *Dracula*.

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