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Word Journey – Gaming Meets Infinite Narratives

June 14, 2021

game, home for fiction, literature, programming, video games

If you enjoy word games, you’re going to like this. If you enjoy word games and you’re fascinated by the idea of a semi-randomly generated narrative that continues “forever”, you’re going to love this! Word Journey is my latest game – and program; and literary effort – that bridges these two aspects together.

The game goal of Word Journey is very simple: You are given the definition of a random word, and you must guess what the word is, gathering points and racing against the clock. But that’s not all! Every time you correctly guess the word, a sentence relevant to the word is added to the stack, generating a theoretically infinite semi-random narrative! When you run out of time (there is also a “Zen Mode”, without time constraints) you can export the text to a file.

Sounds great? I think so too 😉

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Write What’s Burning Inside – but Beware of Its Fuel

June 7, 2021

Philosophy, Writing

affect, guest post, Igor Livramento, writing

Today’s post – “Write What’s Burning Inside But Beware Of Its Fuel” – is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. Check out his papers on Academia.edu, his music on Bandcamp, and his personal musings on his blog – in Portuguese, Spanish/Castilian, and English. You can also find him on LinkedIn.

Chris mentions this time and again: Write honest to heart, from the fire burning inside. I’d like to add: Indeed, but beware of your flames’ fuel. Not for comedic tone, may I claim.

write burning inside — Write what’s burning inside; but beware of its fuel

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Review of Invisible Cities, by Italo Calvino

May 31, 2021

Book Review, Criticism

absurd, book, fiction, imagination, literature, review

So, what should a review of Invisible Cities, by Italo Calvino be like? One thing’s for certain: It can’t be like any other review, because the novel (if one may still call it that) is like no other, either.

If that way of describing it sounds familiar, you’ve likely read my review of Confessions of a Mask, by Yukio Mishima. In that review, too, I had real trouble placing the work in a certain framework. Invisible Cities defies characterization. It’s what art should really be like: Focusing on affect, foregoing plot.

With these in mind, it will likely be no surprise to hear that I loved Calvino’s book. But reviews aren’t about what we like, but about why we like them. And so, in this review of Invisible Cities my goal – as with everything else I review – is ultimately to show you what the book feels like, rather than what it is.

review of invisible cities — *Invisible Cities* is a book that defies categorization

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