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aesthetics

Ember’s Disappearing Clothes: Unnecessary Diversions in Fiction

October 30, 2023

I’m sure this is one of those post titles I really need to explain. I mean, “unnecessary diversions in fiction” gives you at least some idea what the post will be about, but who the heck is Ember? And what do her disappearing clothes have to do with all this?

Ember is a character in the comic series Storm, drawn by Don Lawrence. In the non-English-speaking world she’s also known as Redhair, from the original Dutch “Roodhaar”. Storm was among my favorite childhood comics – together with Donald Duck. Don Lawrence was an incredible artist, and to me his work still is the reference point for realistic, affectively impactful art.

As a child, I only had the first ten or so Storm books – there have been something like thirty-plus in total, together with some spinoffs. I recently decided to search the net for the books I hadn’t read, and I did find them. It was a nostalgic trip – nostalgia is a trap – but I couldn’t help but notice something interesting: The more the stories progressed, the less… covered Ember became.

diversions in fiction, Ember's disappearing clothes
At first, Ember was dressed in rather ordinary clothes. But after a few books, her style became more and more revealing. By the end of the series (bottom left), there is very little left to imagination (scanned images from original drawings by Don Lawrence).
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Pink Gothic: The Cathartic Aesthetics of The Owl House

December 5, 2022

Academic knowledge that doesn’t attempt to create something new isn’t worth a damn. So, to put my own academic expertise to good use, I coin the term Pink Gothic to refer to the aesthetics of The Owl House – particularly, how “Gothic pinkness” assigns a cathartic quality to these aesthetics.

If you already feel a bit overwhelmed – “too many unknown words!” – worry not. I plan to make this post accessible and interesting. So here’s a simpler way of expressing the same thing as above:

I decided to write a post where, inventing the term “Pink Gothic”, I explore how colors and other visual elements in a narrative are associated with the resolution of fears and anxieties – typically brought to the surface by the very same narrative. In this exploration, I use the animated fantasy series The Owl House as an example.

Indeed, it was the aesthetics of The Owl House that inspired me to reflect on this matter. It’s likely (if not highly likely for my usual readers) that you’re not familiar with The Owl House. Again, worry not. I will offer plenty of examples along the way.

aesthetics of the owl house pink gothic
Pink Gothic is all about juxtaposition; combining visually – and ultimately affectively – incongruent elements. When it comes to the aesthetics of The Owl House, in particular, their cathartic quality is a direct result of intelligent use of color, depth, and space
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The Problematic Allure of Social Media Aesthetics

October 18, 2021

Today’s post “The Problematic Allure of Social Media Aesthetics” is authored by Binati Sheth. She’s a writer, a gardener, and an amateur artist. Check out her blogs and essays. You can find her living her writerly life on LinkedIn, YouTube, and Instagram.

When do you want to live? The past? The future? The present? If I were to give you a choice right now, what would you choose? Ideally, we want everyone to say the present. “I want to live in the present” should be the healthy choice. Sadly though, many people on social media are choosing not to. Enter, social media aesthetics.

Aesthetics is classified as a branch of philosophy (of beautiful things). These things could be natural, artificial, or hybrid. We all love beautiful things, and we all have unique definitions of beauty. Social media aesthetics are no different. A social media user creates or takes photos with a particular aesthetic framework in mind, to establish a brand identity, tone, and personality. It all sounds like harmless fun.

But, as they often do, humans end up ruining things.

During the pandemic, cottagecore, dark academia, and Y2K aesthetics trended globally. It began as a love for warm colors, rustic life, and a fondness for knowledge and nostalgia. I personally dabbled in dark academia while turning a blind eye to some of its problematic aspects. I wrote Victorian era letters to my pen pals while spinning a pirouette around all the oppression, instead focusing only on the opulence. As I was not alone in doing this, I noticed the problematic allure of chasing aesthetics. There’s an incredibly literal problem with aesthetics – it is not about impact; it is about beauty.

social media aesthetics
Social media aesthetics – such as cottagecore, dark academia, and Y2K aesthetics – can be alluring, but also very problematic
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