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Death in A Christmas Carol: The Impossible Representation

October 21, 2024

It’s been a while since I shared something from my academic vault of uselessness… Well, alright; knowledge and thought are never useless; academia (the way it’s run nowadays) might be. But I digress. The following post on death in A Christmas Carol is a modified excerpt (pp. 148-149) from my doctoral dissertation, “Time is Everything with Him”: The Concept of the Eternal Now in Nineteenth-Century Gothic, which can be downloaded (for free) from the repository of the Tampere University Press.

Also take a look at my posts on religion in A Christmas Carol and, especially, Gothic Immortality in Dickens’s work – the present post forms a nice pair with the latter.

death in A Christmas Carol. Ai render of Scrooge facing the third ghost
Here’s an AI render of how an impressionist painting of the scene would’ve perhaps looked like
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Review of The Sense of an Ending, by Julian Barnes

July 8, 2024

I’ll say it right away: This review of The Sense of an Ending, by Julian Barnes, was inspired fully – believe it or not – by its… ending. Quite frankly, it’s so atrocious that it should be taught in literature classes as an example of what not to do.

But let’s take a step back.

It all began when, looking for something to read, I noticed this short novel and was encouraged by its blurb that promised an elliptical and ambiguous narrative (more of this in a moment) with clear literary-fiction vibes. I was far less encouraged by the fact that this book in particular and the author in general have received plenty of awards and praise. Quite frankly, I’m thoroughly suspicious of such things.

In any case, I thought to give it a shot, and the result was exceedingly peculiar, as you’ll discover in this review.

review of the sense of an ending, image of old man
Probably this is what the protagonist would look like: old, alone, bored and boring
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Review of South of the Border, West of the Sun by Haruki Murakami

June 10, 2024

I have a love-hate relationship with Haruki Murakami’s fiction. Well, alright, it’s much closer to love than hate, but I’ve been critical of his fiction before. However, South of the Border, West of the Sun must be my favorite Murakami novel – and I’ve read plenty.

Whether we like or not something can boil down to personal preferences. Nonetheless, the reason why I liked South of the Border, West of the Sun so much can be very revealing in terms of writing – and reading – in a self-aware manner.

In a nutshell, I’d say in this novel Murakami succeeded in understanding the critical connection between depth and width more than in any other.

south of the border, west of the sun. image of nighttime Tokyo
There are various small details in the novel that seem insignificant, such as the use (or not) of umbrellas. But just as the protagonist cannot be certain about his observations, the reader can’t ignore the subtle symbolism lurking in these (only apparently minor) details
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