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Ember’s Disappearing Clothes: Unnecessary Diversions in Fiction

October 30, 2023

I’m sure this is one of those post titles I really need to explain. I mean, “unnecessary diversions in fiction” gives you at least some idea what the post will be about, but who the heck is Ember? And what do her disappearing clothes have to do with all this?

Ember is a character in the comic series Storm, drawn by Don Lawrence. In the non-English-speaking world she’s also known as Redhair, from the original Dutch “Roodhaar”. Storm was among my favorite childhood comics – together with Donald Duck. Don Lawrence was an incredible artist, and to me his work still is the reference point for realistic, affectively impactful art.

As a child, I only had the first ten or so Storm books – there have been something like thirty-plus in total, together with some spinoffs. I recently decided to search the net for the books I hadn’t read, and I did find them. It was a nostalgic trip – nostalgia is a trap – but I couldn’t help but notice something interesting: The more the stories progressed, the less… covered Ember became.

diversions in fiction, Ember's disappearing clothes
At first, Ember was dressed in rather ordinary clothes. But after a few books, her style became more and more revealing. By the end of the series (bottom left), there is very little left to imagination (scanned images from original drawings by Don Lawrence).
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The Place of Style in Thinking about Literature

October 16, 2023

Today’s post – “The Place of Style in Thinking about Literature” – is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. You can find him on LinkedIn and here is his own blog.

Art is contact with the inhuman that dwells in all of us: be it the animalistic and abject subhuman – as in Lautréamont, Clive Barker, Artaud, Pierre Guyotat – or the angelic and sanctified superhuman – as in the biblical psalmist, Rōdhakī, Hāfez or Petrarch. Style, therefore, is not a form of individual expression, externalization of the soul, exposition of a supposed interior, but the making up of a just form (fair, as in Law, fit, as in Fashion). This form is just because it is homologous to the world, it follows the same logic as the world (homo-logos): as obscure, dense and impenetrable as the matter of the day.

Style, therefore, is the way to make things – ideas, beings, moments – last in time, which means that language also lasts to allow this lasting. It thus opens up the chance for a reader to place their own time transversely in the timed chronometer of work and routine.

style and thinking about literature
Style, thinking, literature. Art. Language.
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Literary Analysis of Three Excerpts I Like; of my Own Fiction

October 9, 2023

Ah, yes; another egotistical post. A bit like the one where I essentially reviewed my own work. But as there was value in that, there is value in this one, too. A literary analysis of three excerpts of my own fiction can be revealing to you for two reasons:

Naturally, in order for this post to be accessible to anyone, whether they have read the books or not, I have selected the excerpts in a way that they don’t depend on their context. Not too directly, at least.

anime image of woman and man. Literary analysis of three excerpts
If The Other Side of Dreams were an anime, Anna and Ahmed – the two main characters – would perhaps look like this, walking the streets of Rome on a summer evening
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